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시적 자서전과 서정주 시 교육의 문제 -『안 잊히는 일들』과 『팔할이 바람』의 경우 - (Poetic Biography and the Problem in Education about Seo, Jung-Joo's Poems - Focusing on ‘Unforgettable Things’ and ‘8/10 was the Wind’ -)

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최초등록일 2025.05.30 최종저작일 2011.02
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시적 자서전과 서정주 시 교육의 문제 -『안 잊히는 일들』과 『팔할이 바람』의 경우 -
  • 미리보기

    서지정보

    · 발행기관 : 국어교육학회(since1969)
    · 수록지 정보 : 국어교육연구 / 48호 / 413 ~ 442페이지
    · 저자명 : 최현식

    초록

    Biography is defined as “a retrospective story written in prose, in which a real person describes intensively about his/her personal life, specifically, a history of his/her personality by introducing the existence of oneself as a subject matter”. Of course, this is a sort of writing in order to endow integrity and value to one’s life. Seo, Jeong-joo exerted such a great effort in the recollection and significance of his ego as to prepare his biography with his prose and poems. The poetic biography is distinguished from a prosaic biography, which is more concentrated on the delivery of facts, in that it concentrates on the sensationalization of meaningful moments in life. The poetic biography written by Seo, Jeong-joo includes “Unforgettable Things” and “8/10 was the Wind”. Whereas the former was more faithful to articulating according to age and delivering the facts, the latter focuses on intense remembrances and expressions of meaningful incidents. This article aimed to seek the value impulse inherent in each anthology and the aestheticization of an ego by analyzing any differences between these anthologies. The article cross-examined the meaning by placing the anthologies on coordinates of time, namely “the series of loss” and “the series of rehabilitation”. Through this, it was confirmed that there was a large difference in the attitude and eyes of the speaker who remembered specific incidents during childhood. In addition, the article paid attention to his sexual drive and experience and the issues of pro-Japanese acts in order to review Midang’s growth, discovery, and self- containment during his childhood and dolescence.
    Sexual drive and experience were confirmed ultimately to be associated with vital force and the incidental completion. Meanwhile, the memory and reproduction of pro-Japanese acts, which was developed toward self-excuse based on fatalism from an apology for the wrongdoing, violated the ethics of truth in the context of faithfulness toward the incident. Such an aspect of Seo, Jeong-joo’s biography is concluded to be sufficient for being utilized to educate teenage students or young adult readers who lie across growth, discovery, and search for a true self.

    영어초록

    Biography is defined as “a retrospective story written in prose, in which a real person describes intensively about his/her personal life, specifically, a history of his/her personality by introducing the existence of oneself as a subject matter”. Of course, this is a sort of writing in order to endow integrity and value to one’s life. Seo, Jeong-joo exerted such a great effort in the recollection and significance of his ego as to prepare his biography with his prose and poems. The poetic biography is distinguished from a prosaic biography, which is more concentrated on the delivery of facts, in that it concentrates on the sensationalization of meaningful moments in life. The poetic biography written by Seo, Jeong-joo includes “Unforgettable Things” and “8/10 was the Wind”. Whereas the former was more faithful to articulating according to age and delivering the facts, the latter focuses on intense remembrances and expressions of meaningful incidents. This article aimed to seek the value impulse inherent in each anthology and the aestheticization of an ego by analyzing any differences between these anthologies. The article cross-examined the meaning by placing the anthologies on coordinates of time, namely “the series of loss” and “the series of rehabilitation”. Through this, it was confirmed that there was a large difference in the attitude and eyes of the speaker who remembered specific incidents during childhood. In addition, the article paid attention to his sexual drive and experience and the issues of pro-Japanese acts in order to review Midang’s growth, discovery, and self- containment during his childhood and dolescence.
    Sexual drive and experience were confirmed ultimately to be associated with vital force and the incidental completion. Meanwhile, the memory and reproduction of pro-Japanese acts, which was developed toward self-excuse based on fatalism from an apology for the wrongdoing, violated the ethics of truth in the context of faithfulness toward the incident. Such an aspect of Seo, Jeong-joo’s biography is concluded to be sufficient for being utilized to educate teenage students or young adult readers who lie across growth, discovery, and search for a true self.

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