이찬의 개작시(改作詩) 양상과 의의 (Focusing on aspects of the adaptation poem of Lee Chan and its significance)

서지정보

· 발행기관 : 한국어문학회
· 수록지 정보 : 어문학 / 116호 / 267 ~ 291페이지
· 저자명 : 송숙이

초록

Lee Chan revised 19 poems under the North Korean regime which he wrote before the liberation from Japanese imperialism. The fact that there are different aspects on revision over one poem attracts sufficient attention. This study examined the aspects of revision and its intention. The results are as follows.
The revised poem of Lee Chan looked heavily influenced by external condition of the literary circle in North Korea in 1950s. The backgrounds include cultural language policy as a basis of literary circle in the postwar North Korea, removal of bourgeois aesthetics idea, popularization of liberal arts, exclusion of formalism and purification process. Though works were written in 1930s, they were pure lyrical poems which were under criticism. Thus, his revision looked as a preemptive measurement. Together with this, he needed a revision to show his coherent attitude at the front of literary policy in North Korea. But, as overall revision of contents was impossible, he did revise in vocabulary, disposition of stanza and rhetoric. Of course, it was a revision to conform with the literary policy but he showed a craftsmanship as a poet in the process of revision. He showed his sense of craftsman in his revision. Although he was a socialist poet in the KAPF circle, he created considerable amounts of lyrics, which looks closely related with his expression of craftsmanship.

영어초록

Lee Chan revised 19 poems under the North Korean regime which he wrote before the liberation from Japanese imperialism. The fact that there are different aspects on revision over one poem attracts sufficient attention. This study examined the aspects of revision and its intention. The results are as follows.
The revised poem of Lee Chan looked heavily influenced by external condition of the literary circle in North Korea in 1950s. The backgrounds include cultural language policy as a basis of literary circle in the postwar North Korea, removal of bourgeois aesthetics idea, popularization of liberal arts, exclusion of formalism and purification process. Though works were written in 1930s, they were pure lyrical poems which were under criticism. Thus, his revision looked as a preemptive measurement. Together with this, he needed a revision to show his coherent attitude at the front of literary policy in North Korea. But, as overall revision of contents was impossible, he did revise in vocabulary, disposition of stanza and rhetoric. Of course, it was a revision to conform with the literary policy but he showed a craftsmanship as a poet in the process of revision. He showed his sense of craftsman in his revision. Although he was a socialist poet in the KAPF circle, he created considerable amounts of lyrics, which looks closely related with his expression of craftsmanship.

참고자료

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