김소월의 일본어 시 창작과 번역의 의미 (The Meaning of Kim So-wol's Creation of Japanese Poems and Translation)

서지정보

· 발행기관 : 한국외국어대학교 일본연구소
· 수록지 정보 : 일본연구 / 73호 / 111 ~ 128페이지
· 저자명 : 하야시요꼬

초록

本稿は金素月の7編の日本語詩「無題 20」「無題 21」「無題 22」「無題 23」について考察したものである。未だに確定されていない素月の日本語詩を写真資料を主に参考にしながら、また、当時の様々な状況や素月の語法などを根拠に、できるだけ素月が意図したとおりに近づくよう、活字に移す努力をした。 「無題20」は実は、無題ではなく、その題名が「ふりて重ぬる雪」であったことがわかった。そして、この詩は堀口大学の「巷に雨の降るごとく」と密接な影響関係にあるだろうことが判明したが、その他にも、特にいち早くベルレーヌを日本詩壇に紹介した川路柳虹などの影響についても、触れてみた。 3編の短詩について、素月の業績などを考慮に入れて、翻訳という作業を通じて、技巧を磨き、他者への認識を通じたより深い自己の省察によって、彼の詩が豊かになり完成していく過程を示す実際の姿を確認することができた。

영어초록

In this article, I reviewed the seven Japanese language poems of Kim So - wol, "Untitled 20", "Untitled 21", "Untitled 22", and "Untitled 23". I tried to translate the Japanese poem of Kim Sowol, which had not yet been confirmed, into the poet 's intention as much as possible using the photo material and the words of Sowol.
"Untitled 20" was not actually untitled, but it was 「ふりて重ぬる雪」. The city is also considered to have a close relationship with Horiguchi Daigaku's 「巷に雨の降るごとく」.In addition, I carefully looked at the influence of Ryuko Kawaji, who introduced Verlaine early on in Japan.
Through three short poems, his work became more sophisticated through translation and his poetry became enriched and completed due to deeper self-reflection through the recognition of others.

참고자료

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