熱情的 사랑의 逆說과 存在의 悲劇性 － 崔勝子 詩를 중심으로 － (The Paradox of Passionate Love and the Tragicness of Existence －the Case of Choi Seung-Ja’s Poetry－)

서지정보

· 발행기관 : 한국어문교육연구회
· 수록지 정보 : 어문연구(語文硏究) / 40권 / 1호 / 287 ~ 310페이지
· 저자명 : 엄경희

초록

金素月․韓龍雲 이후 崔勝子(1952~ )는 詩集 『이 時代의 사랑』(문학과지성사, 1981)과 「즐거운 日記」(문학과지성사, 1984)에서 사랑이라는 테마를 가장 問題的인 것으로 드러냈던 시인 가운데 하나라 할 수 있다. 그는 막연한 離別이나 떠나감이 아니라 ‘버림받음’이라는 보다 구체적 상황을 과감하게 노출함으로써 사랑하는 자의 悲劇을 極大化한다. 아울러 愛着對象에 대한 崇拜와 欽慕라는 戀慕의 情感 속에서 受動化되었던 傳統的 主體의 태도를 과감하게 벗어나 戰鬪的 사랑의 방식으로 자신이 말하고자 하는 ‘사랑의 逆說’을 의미화한다. 더 문제적인 것은 悠久한 傳統 속에서 완강하게 固守되었던 理想的 存在로서 사랑의 대상에 대한 期待를 解體시킨다. 이 논의는 최승자의 문제적 테마로서 熱情的 사랑(passionate love)의 구체적 방식을 면밀하게 분석함으로써 그것이 지닌 逆說的 意味와 悲劇的 存在의 의의를 밝히는 데 그 目的이 있다.

영어초록

Choi Seung-Ja is said to be the first poet whose deconstruction of a traditional aura of love poetry has raised the theme of love to a prob- lematic. This discussion has put a focus on illuminating a paradoxical meaning in which her poetry has implied, and then a sense of the tragic existence in its result, by analyzing concrete modes of passionate love that her poetry has revealed.
Her love poetry has been to make itself a type of passionate love that has not ever been able to be discovered in Korean poetry. It has started with exposing repeatedly a vague poetic situation of separation or farewell to a concreteness of ‘to be deserted.’ This poetic situation of ‘to be deserted’ has become a psychological base to fever a desire for making love rebirth.
By the way the loved one in her poetry has not been an ideal being who has been represented as the ‘perfect.’ This poet has strengthened the martyrdom of lover by erasing the aesthetic quality from the loved one and exposing the hypocrisy and violence of him.
In her poetry the death drive has accompanied when the rebirth of love has repeatedly failed. But her death drive has not led to the sublime aesthetics with which would have adorned the finale of her passionate love. The tragic cognition of this poet has lain where even her aesthetic death has not been able to be realized. In this situation the temporal cognition of this poet has become a signification of the falling time that has led the spiritless self.
The passionate love that Choi Seung-Ja’s poetry has revealed is to be appreciated as the case of adding a very important meaning to the history of Korean poetry, in terms of not only that love that has clued to understand her tragic poetry but also the first signal flare of a symptom of love poetry that has utterly differed from the established love poetry with which has been fixed up the moderate aesthetics of temperance.

참고자료

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