<변강쇠타령>에 나타난 문학적 과잉의 효과와 한계 (A study on the effect and limitations of literature excess in Byeongangsoetaryeong)

서지정보

· 발행기관 : 한국언어문학회
· 수록지 정보 : 한국언어문학 / 112호 / 119 ~ 144페이지
· 저자명 : 김진영

초록

This article examines the literary excesses that appear in Byeongangsoetaryeong. First, we examined the causes of literary excesses and examined the aspects of excesses. Based on this, we have pointed out the effects and limitations of literary excesses.
The cause of literary excess can be determined by considering the characteristics of Pansori novel. The type of pansori novel can be divided into three main types. First, a type of structure with centripetal and centrifugal force, they accepted the needs of the upper and lower class, but used the former as centrifugal force.
These include Pansori-gye, which is currently being transferred as a ‘chang’(唱). Next, the type of structure in which the interests of the lower class act as centripetal force has a characteristic that focuses on a single subject. Pansori novel which is no longer sung is the case. Finally, the type of structure that centrifugal force is centered can be characterized by the extreme handling of the target. This includes Byeongangsoetaryeong, which cannot be passed down to performances or novels. If the centrifugal force is strong, the story can be pushed to the extreme at any time because it is not checked by the centripetal force. This is the reason why Byeongangsoetaryeong showed literary excesses.
There are four main points to identify literary excesses. First, there is a plethora of attacks on men by women. A beautiful woman, Ongnyeo, who removes all men who are obsessed with sexual desire and be the example. The love affair between men and women is also overrepresented. This is the case for Ongnyeo and Byeongangsoe, who lost their base of life, marry themselves and carry out their candid love affairs repeatedly. And Byeongangsoe who ventured a method of burning with attacking higher class is an excessive response not only in those days, but also in our present situation. Finally, it is excessive to devote the largest amount to thoroughly discipline Byeongangsoe. To drive characters of the same class with Byeongangsoe to death cannot but be called a excessive discipline at that.
One can guess the effect and limitations of literary excesses. Byeongangsoetaryeong is a pansori piece with the greatest centrifugal force due to lack of moral or ethical centripetal power. The action of such centrifugal force triggered a literary surplus. The effects of literary excesses allowed the producer and distributor of this work to maximize its desire to express itself. Next, the method of literature was newly changed, placing more emphasis on performance rather than novelty, with regard on material and topic. The limit of literary excesses is that there was a limit to the content or expression that generated sympathy from the readers. As a result, the reader's ability to empathize is diminished and the foundation for existence is destroyed. This is why this work was omitted from novel as well as performance.

영어초록

This article examines the literary excesses that appear in Byeongangsoetaryeong. First, we examined the causes of literary excesses and examined the aspects of excesses. Based on this, we have pointed out the effects and limitations of literary excesses.
The cause of literary excess can be determined by considering the characteristics of Pansori novel. The type of pansori novel can be divided into three main types. First, a type of structure with centripetal and centrifugal force, they accepted the needs of the upper and lower class, but used the former as centrifugal force.
These include Pansori-gye, which is currently being transferred as a ‘chang’(唱). Next, the type of structure in which the interests of the lower class act as centripetal force has a characteristic that focuses on a single subject. Pansori novel which is no longer sung is the case. Finally, the type of structure that centrifugal force is centered can be characterized by the extreme handling of the target. This includes Byeongangsoetaryeong, which cannot be passed down to performances or novels. If the centrifugal force is strong, the story can be pushed to the extreme at any time because it is not checked by the centripetal force. This is the reason why Byeongangsoetaryeong showed literary excesses.
There are four main points to identify literary excesses. First, there is a plethora of attacks on men by women. A beautiful woman, Ongnyeo, who removes all men who are obsessed with sexual desire and be the example. The love affair between men and women is also overrepresented. This is the case for Ongnyeo and Byeongangsoe, who lost their base of life, marry themselves and carry out their candid love affairs repeatedly. And Byeongangsoe who ventured a method of burning with attacking higher class is an excessive response not only in those days, but also in our present situation. Finally, it is excessive to devote the largest amount to thoroughly discipline Byeongangsoe. To drive characters of the same class with Byeongangsoe to death cannot but be called a excessive discipline at that.
One can guess the effect and limitations of literary excesses. Byeongangsoetaryeong is a pansori piece with the greatest centrifugal force due to lack of moral or ethical centripetal power. The action of such centrifugal force triggered a literary surplus. The effects of literary excesses allowed the producer and distributor of this work to maximize its desire to express itself. Next, the method of literature was newly changed, placing more emphasis on performance rather than novelty, with regard on material and topic. The limit of literary excesses is that there was a limit to the content or expression that generated sympathy from the readers. As a result, the reader's ability to empathize is diminished and the foundation for existence is destroyed. This is why this work was omitted from novel as well as performance.

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