이문구 작품 속 한강의 공간성 연구 - 1960년대 배경 작품을 중심으로 (A study on spatiality of ‘Han River’ in Lee Mun Ku’works : Focused on chosen time set for the piece is the 1960's)

서지정보

· 발행기관 : 단국대학교(천안캠퍼스) 한국문화기술연구소
· 수록지 정보 : 한국문화기술 / 11권 / 2호 / 73 ~ 99페이지
· 저자명 : 김미나

초록

The period of 1960s is the era when dense population of city due to industrialization occurred and when political and economical willingness to restore the base of life which is destroyed by the Korean War strongly revealed. At that time, industrialization and capitalism created in city have people's life and consciousness changed. Migration to city on the purpose of earning money continued incessantly from this period, and a new type of urban refugees was also shown in the 1960s.
Diverse symbolisms implicit in Han River is remarkably various to emblematize whole country of Korea such as rapid growth after war is called 'Miracle on the Han River', but Han River is served as main place in which displaced people selected a site and started new life owing to its spatial characteristic that it cannot function as privately- owned part and its locational attribute that it flows through Seoul.
This research reveals the awareness of space focused on Han River, in these situations of past, through the early works of Lee Mun Ku, Not Accompanied, Monggeumpo Taryeong, and Gold Dust Color, and ascertains the phases of the times based on reality depicted by perspectives of displaced people and the working people who are the main characters of those works. Furthermore, the study demonstrates the meaning of connected researches on the works which have the same time and place.
In the works of Lee Mun Ku, Han River is the living foundation of displaced people and working people and the space in which that cold reality of discrimination and oppression is held and endured at the same time. In these works, however, it doesn't cease as the spatial sign just reflecting the reality, involving general signs of water and river, and further it is manifested as the significant space where people can overcome grim actualities and expect better future.
The phases of the 1960s identified by the works of Lee Mun Ku are as follows; first, those who left inevitably their native place for particular reasons as well as displaced people by the aftermath of the war gathered to Seoul, increasing population, settling down around Han River, second, displaced people congregating near Han River had to bear discrimination and persecution committed by the central people who had already resided in Seoul only to degenerate into marginal figures or the lower class, third, capitalism and materialism overflowed in the times which underwent a sudden change facing modernization and industrialization, and negative aspect in which people judged others by money can be found in reality.
Through Lee Mun Ku's works, this study finds that numerous transitions during 1960s under the name of development, industrialization, and capitalism represent a stepping stone and side effect in order to achieve current Han River, industrialization, and capitalism, and that to investigate some works set in the same space and time together can be utilized as a method to establish the character of specific period.

영어초록

The period of 1960s is the era when dense population of city due to industrialization occurred and when political and economical willingness to restore the base of life which is destroyed by the Korean War strongly revealed. At that time, industrialization and capitalism created in city have people's life and consciousness changed. Migration to city on the purpose of earning money continued incessantly from this period, and a new type of urban refugees was also shown in the 1960s.
Diverse symbolisms implicit in Han River is remarkably various to emblematize whole country of Korea such as rapid growth after war is called 'Miracle on the Han River', but Han River is served as main place in which displaced people selected a site and started new life owing to its spatial characteristic that it cannot function as privately- owned part and its locational attribute that it flows through Seoul.
This research reveals the awareness of space focused on Han River, in these situations of past, through the early works of Lee Mun Ku, Not Accompanied, Monggeumpo Taryeong, and Gold Dust Color, and ascertains the phases of the times based on reality depicted by perspectives of displaced people and the working people who are the main characters of those works. Furthermore, the study demonstrates the meaning of connected researches on the works which have the same time and place.
In the works of Lee Mun Ku, Han River is the living foundation of displaced people and working people and the space in which that cold reality of discrimination and oppression is held and endured at the same time. In these works, however, it doesn't cease as the spatial sign just reflecting the reality, involving general signs of water and river, and further it is manifested as the significant space where people can overcome grim actualities and expect better future.
The phases of the 1960s identified by the works of Lee Mun Ku are as follows; first, those who left inevitably their native place for particular reasons as well as displaced people by the aftermath of the war gathered to Seoul, increasing population, settling down around Han River, second, displaced people congregating near Han River had to bear discrimination and persecution committed by the central people who had already resided in Seoul only to degenerate into marginal figures or the lower class, third, capitalism and materialism overflowed in the times which underwent a sudden change facing modernization and industrialization, and negative aspect in which people judged others by money can be found in reality.
Through Lee Mun Ku's works, this study finds that numerous transitions during 1960s under the name of development, industrialization, and capitalism represent a stepping stone and side effect in order to achieve current Han River, industrialization, and capitalism, and that to investigate some works set in the same space and time together can be utilized as a method to establish the character of specific period.

참고자료

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