1920년대 부산과 경성 극장가의 식민성 연구 (Study on Coloniality of the Theaters in Busan and Kyungsung in 1920s)

서지정보

· 발행기관 : 한국일어일문학회
· 수록지 정보 : 일어일문학연구 / 105권 / 2호 / 211 ~ 228페이지
· 저자명 : 이지현

초록

本研究は1920年代の釜山の劇場街を中心として、当時文化権力を持っていた日本人有力者たちが釜山劇場街に及ぼした影響力や、帝国主義との関係を考察したものである。1920年代の釜山は1人当り年３〜４回を映画を観覧するなど、活発な映画の都市ともいえるところであった。ところが劇場の設立や運営は植民支配層に独占され、京城とは違って人気の集めた朝鮮映画は上映が許可されなかった。朝鮮人資本家が朝鮮人劇場の設立に挑んだ痕跡があるものの、こうした民族的な不均衡は解消されなかった。その代わりに朝鮮映画の市場性に注目した日本人資本家たちは朝鮮初の映画株式会社である朝鮮キネマを設立することになる。朝鮮キネマの設立目的や趣旨を調べてみると、’日鮮同和運動の一環’として設立され、’大東亜共栄圏’を目標としていたことがわかる。 釜山は朝鮮半島の侵略を主導した中央政治部と緊密な関連を持っていた資本家たちが多数居住し、日本の植民地政策を積極的に実践していた支配勢力が劇場街を主導していたことがわかる。朝鮮キネマはこうした釜山の劇場街の植民性がもっとも浮き彫りになったものであるといえる。

영어초록

Focusingon the modern theaters in Busan which have not been sufficiently studied so far,this study researches the influence on the theaters in Busan by Japanese who exercised their cultural power at that time and considers the structure of the relationship with imperialism. In 1920s, Busan was a film city where a citizen saw motives four times a year. However, the establishment and operation of theaters were monopolized by the colonial authority and the popular Korean movies were neglected and could not be showed, unlike Kyungsung. The space for Koreans was not allowed in theaters in Busan.
While there are evidences of attempts to build a Korean theater by a Korean capitalist, the ethnic imbalance was not narrowed. Instead, Chosun Kinema, a film corporation, was established by Japanese who became aware of the fact that Korean movies were in demand. The purpose or purport of establishment of Chosun Kinema shows that it was established as a part of the ‘Homogeneity Movement’ and aimed for the ‘Greater East Asia Co-Prosperity Sphere’. In Busan where a number of capitalists who had close relationships with the central political authority that took the lead in invading the Korean Penesula were settled, it is obvious that the dominant groups who supported and put Japan’s colonial policy into action also had influence on theaters.

참고자료

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