무로사이세이(室生犀星)의 전쟁시 고찰 (Consideration of the war poetry of Saisei Muro)

서지정보

· 발행기관 : 대한일어일문학회
· 수록지 정보 : 일어일문학 / 49호 / 321 ~ 340페이지
· 저자명 : 임온규

초록

It is the work which it wrote it in a form there is no help for it, and to cooperate with a national policy under the special situation called the bottom like related other writers in the wartime at war time at the time of the war of Saisei Muro. The situation that could not but write such a work was a means many writers who lived while experiencing such historic situation seemed to continue being common,and to protect literature of oneself. The one-sided abuse will become that I violate the reception that I sell to the other achievements of the writer as the writer who merely cooperated with a national policy in this sense. It may be a chance to recognize posture of the literature that interval say brought by approaching in a meaning in its own way at the time of the war of Saisei Muro in such a connection and result things of the literature by it newly.
Because it was one of the writers who walked the way called in the stratagem of the country under the wartime of the class like Koutarou Takamura, and, however, his poetic starting point was nobody of the writer who composed natural beauty and lyricism called the collection of lyricism short pieces of music beautifully most, Saisei Muro understood what cannot shake the trace even at war of the national policy cooperation. I can watch what special lyricism and the feelings of the common people of Saisei Muro are dark and appear by war-related time, and the suffering of the literary person whom you could not but do for what pictures in a national policy of militarism Japan for sensitivity of the interval say characteristic in the identification time called the exhibition.

영어초록

It is the work which it wrote it in a form there is no help for it, and to cooperate with a national policy under the special situation called the bottom like related other writers in the wartime at war time at the time of the war of Saisei Muro. The situation that could not but write such a work was a means many writers who lived while experiencing such historic situation seemed to continue being common,and to protect literature of oneself. The one-sided abuse will become that I violate the reception that I sell to the other achievements of the writer as the writer who merely cooperated with a national policy in this sense. It may be a chance to recognize posture of the literature that interval say brought by approaching in a meaning in its own way at the time of the war of Saisei Muro in such a connection and result things of the literature by it newly.
Because it was one of the writers who walked the way called in the stratagem of the country under the wartime of the class like Koutarou Takamura, and, however, his poetic starting point was nobody of the writer who composed natural beauty and lyricism called the collection of lyricism short pieces of music beautifully most, Saisei Muro understood what cannot shake the trace even at war of the national policy cooperation. I can watch what special lyricism and the feelings of the common people of Saisei Muro are dark and appear by war-related time, and the suffering of the literary person whom you could not but do for what pictures in a national policy of militarism Japan for sensitivity of the interval say characteristic in the identification time called the exhibition.

참고자료

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