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「파로호」의 시간 배치와 시간의 불일치 연구 (A Study on the Time order and Anachronies of Paroho)

한국학술지에서 제공하는 국내 최고 수준의 학술 데이터베이스를 통해 다양한 논문과 학술지 정보를 만나보세요.
27 페이지
기타파일
최초등록일 2025.05.15 최종저작일 2012.08
27P 미리보기
「파로호」의 시간 배치와 시간의 불일치 연구
  • 미리보기

    서지정보

    · 발행기관 : 한국문예창작학회
    · 수록지 정보 : 한국문예창작 / 11권 / 2호 / 341 ~ 367페이지
    · 저자명 : 강숙아

    초록

    This study set out to focus its research efforts on time order and anachronies in Paroho.
    In Paroho, narrative time is the time for analepses. In this novel, narrative time is the time of treatment that a character in the story faces her pain and heals and recovers herself through self-confession.
    In the story’s time, the most important period of time is the past. The recollection method of Paroho is the method that reminds motive which equally exists in narrative time and story’s period of time. In character’s complex consciousness like tangled spider web and repetitive movement of period of time, this recollection method gives implied order to the whole of the narration, so narrative consistency exists.
    In this novel, time and place’s arrangement is carefully arranged to have an harmony with the contents of description. Paroho which is the most salient space and also is the title of the novel, is symbol of pain, and at the same time Paroho is the valuable space which has a bright artifact under there.
    Drained Paroho which is an space for character’s self-discovery and recovery is arranged to narrative time. In case of time when a character feels dispair and frustration, Paroho filled with water which damaged nature and is buried thousands of people called dark history arranged to story’s period of time. Different time and place of same space are used effectively.
    Although analepses is the key point of story, analepses description is started as late as possible. Because painful past analepses are necessarily described by a character, but at the same time painful past analepses are most difficult description to a character. Thus the delay of analepses gives time that a character faces her experience straightly. In addition, the delay of analepses reflects a character’s mind that she can not release her past easily. However once analepses are started, analepses are usually realistic and has considerable contents of description. Using the delay of analepses description and realistic, long sentences of analepses description, novelist’s narration technique which controls the mentality of character who does analepses and reflects the character’s attitude is notable.
    Prolepses used in Paroho are external prolepses which are supposition from the past period of time than internal prolepses which commonly use. In this novel, external prolepses are used for explanation of past event’s inside facts or character’s innermost feelings. So the role of internal prolepses are replaced by external prolepses.
    In Paroho, internal prolepses which generally give suggestion are used for false suggestion. This prolepses are mostly used for trick in a detective novel. Whether this trick is intended trick propleses or not, as a result, this internal prolepses is trick propleses. In this way, general(internal) prolepses are used unusually and anomalously.

    영어초록

    This study set out to focus its research efforts on time order and anachronies in Paroho.
    In Paroho, narrative time is the time for analepses. In this novel, narrative time is the time of treatment that a character in the story faces her pain and heals and recovers herself through self-confession.
    In the story’s time, the most important period of time is the past. The recollection method of Paroho is the method that reminds motive which equally exists in narrative time and story’s period of time. In character’s complex consciousness like tangled spider web and repetitive movement of period of time, this recollection method gives implied order to the whole of the narration, so narrative consistency exists.
    In this novel, time and place’s arrangement is carefully arranged to have an harmony with the contents of description. Paroho which is the most salient space and also is the title of the novel, is symbol of pain, and at the same time Paroho is the valuable space which has a bright artifact under there.
    Drained Paroho which is an space for character’s self-discovery and recovery is arranged to narrative time. In case of time when a character feels dispair and frustration, Paroho filled with water which damaged nature and is buried thousands of people called dark history arranged to story’s period of time. Different time and place of same space are used effectively.
    Although analepses is the key point of story, analepses description is started as late as possible. Because painful past analepses are necessarily described by a character, but at the same time painful past analepses are most difficult description to a character. Thus the delay of analepses gives time that a character faces her experience straightly. In addition, the delay of analepses reflects a character’s mind that she can not release her past easily. However once analepses are started, analepses are usually realistic and has considerable contents of description. Using the delay of analepses description and realistic, long sentences of analepses description, novelist’s narration technique which controls the mentality of character who does analepses and reflects the character’s attitude is notable.
    Prolepses used in Paroho are external prolepses which are supposition from the past period of time than internal prolepses which commonly use. In this novel, external prolepses are used for explanation of past event’s inside facts or character’s innermost feelings. So the role of internal prolepses are replaced by external prolepses.
    In Paroho, internal prolepses which generally give suggestion are used for false suggestion. This prolepses are mostly used for trick in a detective novel. Whether this trick is intended trick propleses or not, as a result, this internal prolepses is trick propleses. In this way, general(internal) prolepses are used unusually and anomalously.

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