한국불교시에 나타난 치유성 연구 (The study on healing effect in Korean Buddhist Poems)

서지정보

· 발행기관 : 한국종교학회
· 수록지 정보 : 종교연구 / 70호 / 309 ~ 340페이지
· 저자명 : 권성훈

초록

This study addresses the argument that Korean Buddhist poems have healing effect. The healing effect of Buddhist poems provide introspection and solace between the ego and the world as an alternative means of overcoming the era of the absence of communication. This was analyzed intensively in religious poems written by Han Yong-un, Kim Dal-jin, and Cho Oh-yeon. A prevenient research was made on the function of Buddhist poems which strengthen the ego and through the internal principles of the creation of poetry, it was studied how Buddhist poems relieve the repressed mentality of the creator and make it possible to overcome and restore the feeling.
Poems with healing effect recognize and arouse the unconscious emotion at the core of the creator and a critical mind toward the world through identification, catharsis, insight and integration. When the feeling is expressed through poems, emotional purification and restoration is possible. Poetic tools such as thematic consciousness, imagination, rhythm, image, metaphor, symbol and the form of a poem, which are creation technique of poems, are used. Han Yong-un analyzed creation technique, which is noticeable among text poets, with rhythm, Kim,Dal-jin with metaphor and symbol, and Cho Oh-yeon with thematic consciousness.
Han Yong-un was able to control empathy freely through the repetition of the same rhythm, and demonstrated his ability of rhetoric function which strengthens the meaning of the poem. He used the same sound repetitively between the lines in his poems, which maximized the tragic situation where the lover had already left, thus led to the tragic beauty and catharsis. The implied meaning of the same sound is stressed, and it leads to maximum sympathy and then insight and integration together with arousing effect. The overall characteristics of his poems are sensual appeal, transcendental meaning, and metaphysical thinking as common sentiment and thematic consciousness and they are dissolved in the rhythm and shown consistently as repetitive rhyming. The poetic rhythm at this point doesn't release the emotion as it is, but makes it possible to control the emotion toward despair and suppression and finally it reaches the healing effect of purification of emotion.
Kim Dal-jin compared knowing oneself to the nature and knowing oneself works as the principle of understanding the universe. Nature and the ego are not separated and they show the overall flow of time and space which surround himself. Nature does not exist as a tool which rules the human desire or a tool which is ruled, but does as a being coexisting with God with the nature of Buddha. He shows the introspection of existence by saying “Humans can be mature like nature”. Humans and nature, as an identified metaphor and a symbol, give catharsis and healing effect. In addition, by uniting the world of material and the world of language, with the images of signified language, he achieved inspection and integration which created new meanings and he arouses repressed emotion through the understanding of existence.
Cho Oh-yeon looks into the true existence of humans allegorically. When the real ‘Me’ looks at ‘Me’ among people, it’s an existence wandering in illusion just like a hallucination. Thus, only when we know the existence of humans well with all sorts of things, we can establish the real self and attain the stage of realization. His poems make us grasp the essence of human existence identified from the attributes of things and reach the stage of the good by realizing the incapable self. Also, his poems make us realize we can reach the stage of the good and catharsis when we understand the root of existence through self-denial. Cho Oh-yeon’s insight and integration show that everything is the truth as it is, thus it is Buddha, because it is truth. He also shows the healing effect of realization of encountering the nature of Buddha which is immanent in all things is possible when we arouse the inner Buddha.

영어초록

This study addresses the argument that Korean Buddhist poems have healing effect. The healing effect of Buddhist poems provide introspection and solace between the ego and the world as an alternative means of overcoming the era of the absence of communication. This was analyzed intensively in religious poems written by Han Yong-un, Kim Dal-jin, and Cho Oh-yeon. A prevenient research was made on the function of Buddhist poems which strengthen the ego and through the internal principles of the creation of poetry, it was studied how Buddhist poems relieve the repressed mentality of the creator and make it possible to overcome and restore the feeling.
Poems with healing effect recognize and arouse the unconscious emotion at the core of the creator and a critical mind toward the world through identification, catharsis, insight and integration. When the feeling is expressed through poems, emotional purification and restoration is possible. Poetic tools such as thematic consciousness, imagination, rhythm, image, metaphor, symbol and the form of a poem, which are creation technique of poems, are used. Han Yong-un analyzed creation technique, which is noticeable among text poets, with rhythm, Kim,Dal-jin with metaphor and symbol, and Cho Oh-yeon with thematic consciousness.
Han Yong-un was able to control empathy freely through the repetition of the same rhythm, and demonstrated his ability of rhetoric function which strengthens the meaning of the poem. He used the same sound repetitively between the lines in his poems, which maximized the tragic situation where the lover had already left, thus led to the tragic beauty and catharsis. The implied meaning of the same sound is stressed, and it leads to maximum sympathy and then insight and integration together with arousing effect. The overall characteristics of his poems are sensual appeal, transcendental meaning, and metaphysical thinking as common sentiment and thematic consciousness and they are dissolved in the rhythm and shown consistently as repetitive rhyming. The poetic rhythm at this point doesn't release the emotion as it is, but makes it possible to control the emotion toward despair and suppression and finally it reaches the healing effect of purification of emotion.
Kim Dal-jin compared knowing oneself to the nature and knowing oneself works as the principle of understanding the universe. Nature and the ego are not separated and they show the overall flow of time and space which surround himself. Nature does not exist as a tool which rules the human desire or a tool which is ruled, but does as a being coexisting with God with the nature of Buddha. He shows the introspection of existence by saying “Humans can be mature like nature”. Humans and nature, as an identified metaphor and a symbol, give catharsis and healing effect. In addition, by uniting the world of material and the world of language, with the images of signified language, he achieved inspection and integration which created new meanings and he arouses repressed emotion through the understanding of existence.
Cho Oh-yeon looks into the true existence of humans allegorically. When the real ‘Me’ looks at ‘Me’ among people, it’s an existence wandering in illusion just like a hallucination. Thus, only when we know the existence of humans well with all sorts of things, we can establish the real self and attain the stage of realization. His poems make us grasp the essence of human existence identified from the attributes of things and reach the stage of the good by realizing the incapable self. Also, his poems make us realize we can reach the stage of the good and catharsis when we understand the root of existence through self-denial. Cho Oh-yeon’s insight and integration show that everything is the truth as it is, thus it is Buddha, because it is truth. He also shows the healing effect of realization of encountering the nature of Buddha which is immanent in all things is possible when we arouse the inner Buddha.

참고자료

· 없음