남과 북의 가교 : 재외동포의 남북한 음악 전승 (Links between the South and the North : Korean Music Transmitted by Overseas Koreans)

서지정보

· 발행기관 : 서울대학교 동양음악연구소
· 수록지 정보 : 동양음악(구 민족음악학) / 30권 / 181 ~ 198페이지
· 저자명 : 유영민

초록

This paper examines the music of Korean diasporic communities in Japan and the United States (specifically, North Koreans in Japan and South Koreans in Los Angeles) in the light of de/reterritorialization of culture and long-distance nationalism of diasporas.
Most first-generation North Koreans in Japan originated in the southern part of Korea; however, when Korea was divided in 1945, they chose North Korean nationality according to their political affiliation. Since then, they have maintained strong ties with North Korea, while showcasing North Korean "national" music within Japan. Unlike North Korean communities in Japan, which emerged as a result of the Japanese colonization, substantial South Korean diasporic communities in the US formed after the colonial period. The prospect of a higher standard of living and a better opportunity for their children's education motivated many South Koreans to move to the US. In this process, South Korean music was also deterritorialized; first generation South Korean musicians who entered the US in the 1960s and 1970s have maintained their musical heritage in their new home, while p'ungmul became extremely popular in the 1980s and 1990s. These "deterritorialized" Korean musics (North Korean "national" music and South Korean p' ttngmul) played a significant role in 197 performing "long-distance nationalism." Now, younger generations do not have a strong sense of "long-distance nationalism." Instead, they use the music of their homes for the construction of their unique diasporic identities, where "reterritorialization" of Korean music begins.
Diasporic communities are characterized by multiple attachments to their homes and host societies. They clearly reveaJ "Koreanness" by performing Korean music that has been deterritorialized and reterritorialized. This paper illuminates the process of de/reterritoriaJization of Korean music.

영어초록

This paper examines the music of Korean diasporic communities in Japan and the United States (specifically, North Koreans in Japan and South Koreans in Los Angeles) in the light of de/reterritorialization of culture and long-distance nationalism of diasporas.
Most first-generation North Koreans in Japan originated in the southern part of Korea; however, when Korea was divided in 1945, they chose North Korean nationality according to their political affiliation. Since then, they have maintained strong ties with North Korea, while showcasing North Korean "national" music within Japan. Unlike North Korean communities in Japan, which emerged as a result of the Japanese colonization, substantial South Korean diasporic communities in the US formed after the colonial period. The prospect of a higher standard of living and a better opportunity for their children's education motivated many South Koreans to move to the US. In this process, South Korean music was also deterritorialized; first generation South Korean musicians who entered the US in the 1960s and 1970s have maintained their musical heritage in their new home, while p'ungmul became extremely popular in the 1980s and 1990s. These "deterritorialized" Korean musics (North Korean "national" music and South Korean p' ttngmul) played a significant role in 197 performing "long-distance nationalism." Now, younger generations do not have a strong sense of "long-distance nationalism." Instead, they use the music of their homes for the construction of their unique diasporic identities, where "reterritorialization" of Korean music begins.
Diasporic communities are characterized by multiple attachments to their homes and host societies. They clearly reveaJ "Koreanness" by performing Korean music that has been deterritorialized and reterritorialized. This paper illuminates the process of de/reterritoriaJization of Korean music.

참고자료

· 없음