동화와 애니메이션의 스토리텔링 비교분석—〈마녀 배달부 키키〉를 중심으로 (Comparative Analysis of Storytelling of Children’s Story and Animation)

서지정보

· 발행기관 : 단국대학교(천안캠퍼스) 한국문화기술연구소
· 수록지 정보 : 한국문화기술 / 10권 / 2호 / 7 ~ 27페이지
· 저자명 : 김현진

초록

In this paper, we reviewed the correlation between children’s story and animation focusing on the aspect of storytelling. We intended to research for a concrete way for Korean animation to survive in the aspect of storytelling by analyzing the case of Japan in which the works of which the medium was converted to animation were more successful than the original children’s story. For this, <KiKi’s Delivery Service>, an animation directed by Hayao Miyazaki, and Volume 1 of 『Kiki’s Delivery Service』, the original children’s story written by Eiko Kadono, were selected as the objects of the analysis.
Children’s story and animation both have a story. However, they show differences in the aspects of writing intent concealed in ‘magic’, plot and character, showing method, etc. While magic is an essential thing in the original children’s story in the aspect of the power given to the protagonist to explore the world, it is a tool used in the aspect of talent in animation. The reason why magic is used differently like this is because the writing intents of the creators are different.
Secondly, in the aspect of the plot, while the original children’s story has used the pattern and episodic plot of home → departure →adventure → home typical to children’s literature, animation has used the plot of beginning to which the internal conflict belongs, development, crisis, peak and conclusion. And it concludes with the scene of rescuing her male friend with the scene where Kiki returns back home is omitted. Thirdly, the characters are also changed and it is characterized by the change in the roles of Kiki, the protagonist, Osono, the helper, and Ursula, the advisor. But, Tombo, the male friend of Kiki, is changed only a little. The last is the part of scene aesthetics. While the growth of the protagonist is expressed in the flow of time in the original children’s story, change in space is selected in the animation. Though she experiences the process of growing to an adult in a city, the place where her mind is healed is a space in a forest which is in contrast to a city.
As the media of narrative works and animations are different like this, they cannot but show a difference in the aspect of storytelling as well. It can be seen that the medium change method of <KiKi’s Delivery Service>, that also shows much change in the aspect of not only the discourse but also the story, has great implications also for the animation circle in Korea. Among those, the point that the director has dramatized the work by reflecting the situation and reality of the times is regarded to be a part that should also be applied to the animation circle in Korea.

영어초록

In this paper, we reviewed the correlation between children’s story and animation focusing on the aspect of storytelling. We intended to research for a concrete way for Korean animation to survive in the aspect of storytelling by analyzing the case of Japan in which the works of which the medium was converted to animation were more successful than the original children’s story. For this, <KiKi’s Delivery Service>, an animation directed by Hayao Miyazaki, and Volume 1 of 『Kiki’s Delivery Service』, the original children’s story written by Eiko Kadono, were selected as the objects of the analysis.
Children’s story and animation both have a story. However, they show differences in the aspects of writing intent concealed in ‘magic’, plot and character, showing method, etc. While magic is an essential thing in the original children’s story in the aspect of the power given to the protagonist to explore the world, it is a tool used in the aspect of talent in animation. The reason why magic is used differently like this is because the writing intents of the creators are different.
Secondly, in the aspect of the plot, while the original children’s story has used the pattern and episodic plot of home → departure →adventure → home typical to children’s literature, animation has used the plot of beginning to which the internal conflict belongs, development, crisis, peak and conclusion. And it concludes with the scene of rescuing her male friend with the scene where Kiki returns back home is omitted. Thirdly, the characters are also changed and it is characterized by the change in the roles of Kiki, the protagonist, Osono, the helper, and Ursula, the advisor. But, Tombo, the male friend of Kiki, is changed only a little. The last is the part of scene aesthetics. While the growth of the protagonist is expressed in the flow of time in the original children’s story, change in space is selected in the animation. Though she experiences the process of growing to an adult in a city, the place where her mind is healed is a space in a forest which is in contrast to a city.
As the media of narrative works and animations are different like this, they cannot but show a difference in the aspect of storytelling as well. It can be seen that the medium change method of <KiKi’s Delivery Service>, that also shows much change in the aspect of not only the discourse but also the story, has great implications also for the animation circle in Korea. Among those, the point that the director has dramatized the work by reflecting the situation and reality of the times is regarded to be a part that should also be applied to the animation circle in Korea.

참고자료

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