초기 구사조시(草双紙)에 나타난 산쇼다유(山椒太夫) -주요 등장인물과 이야기 변형을 중심으로- (A Study on Parody Styles of Sanshoudayu Legend -focusing on Early-Kusazoushi-)

서지정보

· 발행기관 : 한국일어일문학회
· 수록지 정보 : 일어일문학연구 / 93권 / 2호 / 97 ~ 116페이지
· 저자명 : 손정아

초록

江戸後期の爆発的な大衆文化を主導した黄表紙は、赤本や黒本からその戯作性を育んできた。この赤本や黒本が初期草双紙と呼ばれていて、日本の古い伝説や物語、謡曲、歌舞伎や古浄瑠璃などから題材を捉え、様々な形のもう一つの話に再誕生された。本稿は、日本の各地から伝わってきた「さんせう伝説」が初期草双紙の中にどのようにパロディーしたのかを主要な登場人物と話の変形を主として考察した。その上に、江戸社会と文化と相まって江戸戯作の中に、どのような特徴が表しているのかも見逃してはならない重要な論点にした。その結果、三つの黒本を通して、初期草双紙には伝説を大きく変わらずに、家臣を登場してその人が山椒太夫や山岡太夫の役割を重ねていて、彼らを主人公として新しい話にする方法を捉えたことが明らかになった。これこそが江戸社会の忠という問題に繋がっていた当時の状況を文化的側面からにもうかがえることができた。

영어초록

The Sanshoudayu legend had passed down orally in various areas of Japan since the Heian Period. There were several versions of the legend depending on the areas.
As time went by, this story was at first recorded in written language in the form of Setkyoubushi in the Edo Period.
In the Edo Period, a movement germinated the so-called era of pop culture. The Sanshoudayu legend was also taken as material for printing books in the Edo period.
Among the books, however, there isn’t much research on Kusazoushi based on the Sanshoudayu legend. Before Mori Ougai’s novel and Mizoguchi Kenji’s movie, which made this story more famous in Japan’s modern period, this story also clearly existed in Edo-Gesaku. This study focuses on representative Early-Kusazoushi taking the Sanshoudayu’s world.
Three Kurohon(made by black cover) works show that there are some changes and adds in characters and story with keeping the original one almost intact. Among them, the most remarkable aspect of parody is the appearance of notion of loyalty, which stems from the Edo society.
After all, the legend existed orally and was passed down and written in text was reborn in the form of pictures and written language through Early-Kusazoshi at first with harboring the new features of loyalty in the Edo society.

참고자료

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