从构建到象征：韩国电影≪雾中乡景≫中封闭空间的多维探讨 (Reframing Isolation: A Multidimensional Study of Enclosed Spaces in the Korean Film Village of Haze)

서지정보

· 발행기관 : 순천향대학교 인문학연구소
· 수록지 정보 : 순천향 인문과학논총 / 43권 / 3호 / 5 ~ 27페이지
· 저자명 : 니삼

초록

本论文探讨了韩国电影≪雾中乡景≫中封闭空间的构建方式、功能及其象征意义｡ 通过分析电影中的镜头构图、叙事留白以及异托邦空间的设定, 本研究揭示了这些封闭空间如何在视觉上呈现隔离性, 并反映角色的心理状态和社会隔离现象｡ 通过这些分析, 本文旨在揭示封闭空间在电影中的多层次表达和社会批判功能｡ 这种封闭空间不仅丰富了影片的叙事层次, 还展示了性别与权力关系的复杂动态, 提供了观众理解社会问题的新视角｡ 具体而言, 影片通过视觉语言如“框架中的框架”和特定的视角设置, 创造了物理上和心理上的封闭感｡ 同时, 叙事中的空白和省略为观众提供了多重解读的可能性, 形成了“开放的封闭空间”｡ 此外, 村庄作为一个福柯视角下的“异托邦空间”, 不仅反映了与现代社会主流价值观的对立, 还成为性别与权力斗争的集中展示场所｡ 另外, 论文还深入分析了女性角色在封闭空间中的多重边缘化及其象征意义｡ 整体而言, 封闭空间作为叙事工具, 不仅丰富了影片的层次, 还提供了对社会权力结构的深刻理解｡

영어초록

This paper explores the construction, function and symbolic meaning of enclosed space in the Korean film Village of Haze. By analyzing the shot composition, narrative blanks and the setting of heterotopia in the film, this study reveals how these enclosed spaces visually present isolation and reflect the psychological state and social isolation of the characters. Through these analyses, this paper aims to reveal the multi-level expression and social critical function of enclosed space in the film. This enclosed space not only enriches the narrative level of the film, but also shows the complex dynamics of gender and power relations, providing the audience with a new perspective to understand social issues. Specifically, the film creates a sense of physical and psychological closure through visual language such as “frames in frames” and specific perspective settings. At the same time, the blanks and omissions in the narrative provide the audience with multiple possibilities for interpretation, forming an “open enclosed space”. In addition, as a heterotopia(Foucault), the village not only reflects the opposition to the mainstream values ​​of modern society, but also becomes a concentrated display place for gender and power struggles. The paper deeply analyzes the multiple marginalization of female characters in closed spaces and their symbolic meanings. Overall, closed spaces, as narrative tools, not only enrich the layers of the film, but also provide a deep understanding of the social power structure.

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