모란봉악단 무대의상의 스타일 특성 및 상징 (Style Characteristics and Symbolism of the Moranbong Band’s Stage Costumes)

서지정보

· 발행기관 : 한국복식학회
· 수록지 정보 : 복식 / 68권 / 4호 / 23 ~ 35페이지
· 저자명 : 허정선, 김아원

초록

Often called the “first North Korean girl band,” Moranbong is emerging as a representation of the shift in North Korea’s culture and arts under Kim Jong-un’s rule, delivering ‘open music politics;’ i.e., the regime’s political, ideological message. This study’s purpose is to examine the artistic features, meanings, and symbols in Moranbong’s concert style and stage costumes, which are distinct from those of other bands involved in music politics. The study’s focus is divided into three periods, ranging from the band’s first concert in 2012 to its 32nd concert in 2016. The first period includes the band’s creation of a new image, wherein the elements of sex appeal and stage composition emphasized their drive towards cultural openness. Shockingly sexy mini skirts and dresses, exposed legs lifted up by high-heels, and a sharp, unified choreography—elements influenced by the style of South Korean girl bands—were Moranbong’s representative features during this period. In the second period, Moranbong’s mainstream image consisted of military looks emphasizing loyalty and subjection to the political party, unsurprising given North Korea’s political circumstances at the time. The band used black and military colors to mimic the style of the air force and navy, symbolizing abstinence and North Korea’s union. In the third period, Moranbong’s main style was characterized by a white marine look. Doing away with former extravagance, the third period incorporated the use of actual navy uniforms and uniform choreography, exhibiting a simpler and more rigid stage composition. Ultimately, this study suggests the possibility of North Korea opening its doors, leading to the hope of reducing the sense of political and ideological alienation through cultural exchange between North and South Korea.

영어초록

Often called the “first North Korean girl band,” Moranbong is emerging as a representation of the shift in North Korea’s culture and arts under Kim Jong-un’s rule, delivering ‘open music politics;’ i.e., the regime’s political, ideological message. This study’s purpose is to examine the artistic features, meanings, and symbols in Moranbong’s concert style and stage costumes, which are distinct from those of other bands involved in music politics. The study’s focus is divided into three periods, ranging from the band’s first concert in 2012 to its 32nd concert in 2016. The first period includes the band’s creation of a new image, wherein the elements of sex appeal and stage composition emphasized their drive towards cultural openness. Shockingly sexy mini skirts and dresses, exposed legs lifted up by high-heels, and a sharp, unified choreography—elements influenced by the style of South Korean girl bands—were Moranbong’s representative features during this period. In the second period, Moranbong’s mainstream image consisted of military looks emphasizing loyalty and subjection to the political party, unsurprising given North Korea’s political circumstances at the time. The band used black and military colors to mimic the style of the air force and navy, symbolizing abstinence and North Korea’s union. In the third period, Moranbong’s main style was characterized by a white marine look. Doing away with former extravagance, the third period incorporated the use of actual navy uniforms and uniform choreography, exhibiting a simpler and more rigid stage composition. Ultimately, this study suggests the possibility of North Korea opening its doors, leading to the hope of reducing the sense of political and ideological alienation through cultural exchange between North and South Korea.

참고자료

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