李白 賦 初探 (The elementary research about the Li Bai's Fu)

서지정보

· 발행기관 : 한국중어중문학회
· 수록지 정보 : 중어중문학 / 68호 / 3 ~ 30페이지
· 저자명 : 예추이화

초록

‘詩仙’李白的詩爲後人廣爲傳誦, 也有很多學者對他的詩進行了詳細的鑑賞和分析. 在詩的光芒的掩蓋下, 他的賦沒有得到太多的關注, 關於賦的硏究也很少. 然而想要全面而系統地硏究李白, 就不僅要理解作爲詩人的李白, 同時也要理解作爲賦作家的李白, 而只有準確地解讀李白的賦, 才能更好地了解作爲賦作家的李白. 淸代王琦注《李太白文集》卷一中收錄了李白的 <大鵬賦>, <擬恨賦>, <惜餘春賦>, <愁陽春賦>, <悲淸秋賦>, <劍閣賦>, <明堂賦>, <大獵賦>等8篇賦, 這8篇賦在形式上可分爲長篇大賦和抒情小賦, 在內容上則包含了諷諫、懷古、言志、抒情等.
本文從前代賦的影響、創作動機、描寫特徵等畿個方面對這8篇賦進行了初步的硏究, 從而得出以下結論: 一, 受前代賦的影響李白的賦中有模倣前代賦的痕迹, 但在賦創作方面李白却有自己獨特的見解, 可以說李白的賦旣繼承了前代賦的傳統却又不乏創新. 二, 李白的賦有爲體現自我志向而作, 有爲追求名利而作, 也有爲宣瀉情緖而作. 三, 李白的賦運用了誇張、情景交融、大量引用典故等描寫手法. 雖然這些都只是初步硏究所得到的結果, 但已足以體現出李白賦獨特的藝術風貌, 這對硏究李白的生平和他的文學思想及特色都具有極其重要的意義. 希望此文能起到抛磚引玉的作用, 期待今後有越來越多的人關注李白的賦幷對其進行更進一步的硏究.

영어초록

As “The poetic genius(詩仙)”, Li Bai(李白)’s poems are widely read by later generations. Lots of scholars analyzed and appreciated his poems in detail. Under the shadow of his shining poems, neither his works of fu(賦) draw too much attention nor been researched. However, if we would like to study about Li Bai comprehensively, we should understand Li Bai not only as a poet, but also as a writer of fu. Only can we interpret Li Bai’s fu accurately, could we understand Li Bai as a writer of fu. Wang Qi, who is a scholar in Qing dynasty, collected Li Bai’s eight pieces of fu in 《Li Taibai Wenji(李太白文集)》of volume 1, including <Da peng fu(大鵬賦)>, <Ni hen fu(擬恨賦)>, <Xi yu chun fu(惜餘春賦)>, <Chou yang cun fu(愁陽春賦)>, <Bei qing qiu fu(悲清秋賦)>, <Jian ge fu(劍閣賦)>, <Ming tang fu(明堂賦)>, <Da lie fu(大獵賦)>. Those works are divided into Changpian Dafu(长篇大赋) and Shuqing Xiaofu(抒情小赋) two parts in form, and included irony, nostalgia and other aspects in content.
This article starts the research of those works of fu through effects of the former dynasties’ works of fu, motivations of creation and features of illustration three parts, and got conclusions as below. Firstly, there is a trace of imitating other writes fu in Li Bai’s work since he got effected from their works, but Li Bai also has his own unique opinions on fu. In another words, Li Bai’s fu not only inherited the tradition of fu, but also presented some innovations. Secondly, Li Bai created fu sometimes for showing his aspirations, sometimes for pursuing fame and fortune, and sometimes for expressing his emotions. Thirdly, In Li Bai’s fu, he used different illustrating skills, including exaggeration, mixture of emotions and scenes, quoting lots of allusion and so on. Even though all of those are the resulting of initial researches, it presented that Li Bai has his own unique artistic style. There are important meanings of knowing the content mentioned above for understanding Li Bai’s whole life and studying his literati thoughts and work’s features. The author hopes this article could play a role of appealing other creative and important ideas, expecting there are more and more people focus on Li Bai’s works of fu and conducting further research.

참고자료

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