周邦彦 詠物詞에 전개된 텍스트 세계의 주제 표현 양상 고찰 (The Expression of Themes in the Text Worlds Developed by Zhou Bangyan’s Ci Poetry on Things)

서지정보

· 발행기관 : 중국어문연구회
· 수록지 정보 : 중국어문논총 / 88호 / 127 ~ 152페이지
· 저자명 : 김준연, 하주연

초록

In this paper, we examine the text world revealed in the ci poetry on things composed by Zhou Bangyan in order to see how he represent the themes and sentiments in his works. It was in the judgment that the text world theory needed to figure out the elements set in the discourse world appear in Zhou Bangyan’s ci poetry make what kind of sub-worlds and how the texts have diversity. Especially, we think that the process of examining how the poet constructs the text world using ‘world-building elements’ and ‘function-advance propositions’ greatly helps understanding the theme of the work and the world of emotion.
We first examined the technique of deictic center movement to see how Zhou Bangyan reveals the theme of exposing of feeling. Through this, we were able to confirm the way in which the speaker transcribes the feelings and emotions described on the things into the audience. Thus Zhou Bangyan can constitute a feeling of ‘being One with Nature’ in ci poetry and put the theme of exposing of feeling as well. Then we focused on how to display the sub-worlds while reviewing the ways in revealing the theme of farewell in ci poetry. After this investigation, an obvious conclusion was derived that the audience feels emotions not by the things described but by the themes originated from the sub-worlds. Finally, we examined how Zhou Bangyan reveals the theme of affection, and analyzed how the time and space of the text world are separated and crossed each other. Zhou Bangyan is evaluated to be able to go through the ‘deposits of feelings on things’, which was difficult to find in previous ci poetry through the separation and crossing of time and space.

영어초록

In this paper, we examine the text world revealed in the ci poetry on things composed by Zhou Bangyan in order to see how he represent the themes and sentiments in his works. It was in the judgment that the text world theory needed to figure out the elements set in the discourse world appear in Zhou Bangyan’s ci poetry make what kind of sub-worlds and how the texts have diversity. Especially, we think that the process of examining how the poet constructs the text world using ‘world-building elements’ and ‘function-advance propositions’ greatly helps understanding the theme of the work and the world of emotion.
We first examined the technique of deictic center movement to see how Zhou Bangyan reveals the theme of exposing of feeling. Through this, we were able to confirm the way in which the speaker transcribes the feelings and emotions described on the things into the audience. Thus Zhou Bangyan can constitute a feeling of ‘being One with Nature’ in ci poetry and put the theme of exposing of feeling as well. Then we focused on how to display the sub-worlds while reviewing the ways in revealing the theme of farewell in ci poetry. After this investigation, an obvious conclusion was derived that the audience feels emotions not by the things described but by the themes originated from the sub-worlds. Finally, we examined how Zhou Bangyan reveals the theme of affection, and analyzed how the time and space of the text world are separated and crossed each other. Zhou Bangyan is evaluated to be able to go through the ‘deposits of feelings on things’, which was difficult to find in previous ci poetry through the separation and crossing of time and space.

참고자료

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