「翰林別曲」의 美的 特質과 民族禮樂思想 (A Study for Aesthetic of 「Hallimbyolgok」)

서지정보

· 발행기관 : 한국어문교육연구회
· 수록지 정보 : 어문연구(語文硏究) / 39권 / 4호 / 239 ~ 262페이지
· 저자명 : 이규배

초록

본고는 『琴合字譜』에 수록된 「翰林別曲」1章의 歌詞와 樂譜의 旋律 分析을 위주로 그 律動的 特質을 解明하고자 했다. 우리 詩歌의 律格(meter)과 律動(rhythm)의 개념을 구분하여 「翰林別曲」의 律格과 律動의 특색이 歌詞의 정서 전달에 미치는 審美的 효과를 바탕으로 「翰林別曲」의 내용 해석을 시도했다. 아울러 「翰林別曲」2章의 『禮記』 중 「樂記」의 내용에 근거해서 「翰林別曲」이 文臣間의 相樂을 목적으로 崔氏武人政權 아래 창작되어, 文臣을 和合시키는 한편 寒素한 儒生을 격려하던 禮樂文化로 受容되어가는 과정을 다루었다. 朝鮮前期에 「翰林別曲」이 宮中樂章으로 수용되었던 事實을 바탕으로 「翰林別曲」의 민족예악적 특질을 밝히고, 이를 實證할 수 있는 史料로 世宗 15年의 記錄을 제시한다. 또한 高麗仙風의 文化象徵體系를 통해서 7․8章의 의미를 해석하는 한편, 8장의 내용을 性遊戱로 환원하는 해석의 문제점을 제기하였다.

영어초록

This study is an attempt to understand the aesthetic of 「Hal- limbyolgok」 in perspective of generic hermeneutics. The 「Hallimbyolgok」 had been created for the harmony of ‘Goryeo-Hallim' by the group of young Goryeo-Hallim, under the sway of Choi-Woo(崔瑀) military regime. They created new historical genre to express their emotions in an unique form that present the people and things their around. The turn of expression was too unfamiliar to understand their emotion , for their generic tradition had been cut off from modern poetry-song for a long time. But the 「Hallimbyolgok」 is a kind of creative lyric poetry-song. I am to analyse the generic intention from 『Kuemhapzabo(琴合字譜)』 which is the score of 「Hallimbyolgok」. The purpose of this study is to prove that 「Hallimbyolgok」 is a kind of creative lyric poetry-song, which expressed the harmony of ‘Goryeo- Hallim' in an unique aesthetic form under the sway of Choi-Woo(崔瑀) military regime. Thus I present the content of 「The description of Music (「樂記」)」 is a philosophical work of music and politics  in perspective of ancient Confucian ideas. This paper is to argue that ‘Goryeo-Hallim' accommodated 「The description of Music(「樂記」)」 in perspective of not the Chinese-Confucianism but thinking of the ‘Goryeo-Sunpung(高麗仙風)’ which was a traditional idea of the Goryeo in that time, and to interpret the 7th,8th stanza of 「Hallimbyolgok」 had expressed an idea of ’the ‘Goryeo-Sunpung(高麗仙風)’. It was a symbol of culture in that time, which was a culture of the ‘Goryeo-Yaeak(高麗禮樂)’

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