미당시의 제의적 변용에 대한 고찰 (A Study on the Transformation of Ritual Prototypicality about Midang's poem)

서지정보

· 발행기관 : 국제언어문학회
· 수록지 정보 : 국제언어문학 / 47호 / 247 ~ 272페이지
· 저자명 : 최정숙

초록

이 논문의 목적은 미당 서정주 시의 제의성 분석을 통해 미당의 시문학에 내재해 온 상상력의 또 한 층위를 조명해 보고자 한다. 구체적으로 후기 시집 『질마재 신화』와 『서정주 문학전집』에 수록된 시 중에서 시적 화소가 질마재라는 문학공간에서 어떠한 상징적 변용을 이루어 나아갔는지를 형상화 과정에 주목하여 탐색하고자 한다. 특히변형과정의 원형성은 삼국유사나 마을의 전설에서 드러나는 주술성을 기반으로 한 서사성을 중시하였다. 이러한 문학공간으로서 질마재는 가상현실(VR)이나 증강현실(AR) 같은 영상기술(CT)과 접목하여문학교육의 효용성 제고에도 주목하였다. 이러한 원형 비평적 관점은 신화나 무속에서 신이나 정령과 직접 동기 감응하고 그 사이에 신탁(神託)과, 예언, 병치레를 포함한 여러 가지 의례를 행하는 주술 행위를 하는 종교적 직능자인 샤먼에 기반 한다. 미당의 시는 그 원형적의미에서의 샤머니즘과 주원의 시적 이미저리를 문학적으로 형상화해 냈다는 점에서 담론의 의미가 자리매김을 할 수 있다. 질마재의 세계에서는 신과 인간의 소통은 결국 질마재를 매개로 이루어진다. 더나아가 인간 전체의 소통으로 이어진다. 미당의 시에서 민간신앙적인시적 제재는 과거와 현재를 시적인 영감으로 징검다리 역할을 하였다. 아울러 그 요소는 샤머니즘적인 문화공동체적 삶의 모습으로 형상화되고 있다. 이 연구가 미당 시의 제의성 연구의 폭을 확장시키는데 자그마한 기여가 되기를 기대한다.

영어초록

The study sought to explore the symbolic variation of the pixel from a circular perspective by selecting a work with a propitious pixel among Midang poems. myth or shamanism can be regarded as a form of culture, such as a festival, centering on Shaman, a religious professional who directly interacts with gods and spirits and performs various rituals, including oracle, prophecy, or bottleclothes. Therefore, it is a religious phenomenon that takes on the characteristics of shamanism with circular pixels and a culture gradually refined from the natural appearance. Shamanism itself implies the main origin and propensity that led to the act of offering.
And Shamanism has similar aspects in the same cultural sphere, even though ethnic groups are different.
The circular pixels revealed in lyricist poetry are embodied in the space of regeneration and the time of offer, and the main source of shamanism is excitedly sublimated into symbolic language art in poetry. Shamanism is a spiritual world and an organic principle believed to dominate human life on the basis of superpowers that cannot be explained by science. Based on this organic principle, Seo Jung-ju literaryly embodies the poetic image of Shamanism and Joo Won. And that again means direct and indirect communication between God and man. The communication between God and man eventually leads to the communication of all human beings through the medium of God. Thus, it can lead to a universal link in the culture of the right-of-rule, which carried out political and religious functions between God and man. This is the culture of self-adultery, or teacher. This is because the teacher comes from the meaning of "next." The shamanistic element of the poem of Seo Jeong-ju, expressed as the process of the festival, is based on the shamanistic situation of the spirit, or the initiation ceremony, and the shamanistic archetypes that can be looped with the spirit and transmission.
Meanwhile, folk beliefs refer to various beliefs handed down from the private sector without having a religious system. It is the longest-lived spiritual world in the heart of Koreans, encompassing village beliefs, family beliefs, and shamanistic beliefs that form the base culture of folk beliefs. It is based on shamanism in its origin.
In the poetry of Midang, the folk world served as a stepping stone for the past and the present with poetic inspiration. It is our traditional life with historical eternity. This eternity is expressed as a part of a sticky and cordial life that melts into traditional customs, giving it vivid realism. Thus the shamanistic world serves to produce a unique religious spirituality and literary sensibility for the Midang.
As such, the elements of folk belief in Midang's poems are depicted as a form of shamanistic cultural community life. The shamanistic function shown in Midang is of literary and social significance in reviving folklore in connection with the community life of warm regions or people.
This paper explored around a collection of poems called "Jilmajae Myth." Based on the primitive nature of myths and shamanism, it is clearly demonstrating the possibility of creating a new myth by linking them to the collective unconsciousness of modern people. In "The Myth of Zilmajae," the world view of Shamanism is represented by the imagination of the main spirituality, which solves historical and cultural resentment in combination with indigenous sentiments, by melting shamanistic spirituality and literary sensibilities through childhood communion with nature.

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