무유소성(無釉燒成) 기법과 작품 연구 (A Study of Unglazed works and skills)

서지정보

· 발행기관 : 사단법인 한국조형디자인협회
· 수록지 정보 : 조형디자인연구 / 11권 / 3호 / 131 ~ 146페이지
· 저자명 : 이인진, 김진아

초록

The various steps will be available to develop the original pottery culture since earthenwares has been manufactured from the Neolithic Age. But the vessel used by our ancestor actually in every life , was not one´s own fashion but unglazed pottery, kind of earthenware techniques which is not painted in glaze. Even though it has been used for long time, the existence of vessel is not embossed in pottery history of Korea specified on the center of pottery manufactured by unglazed work. And also, Korean particular unglazed work in the unbroken various thousands year, is still little interested and not only technical study thesis but there are few writers to work the modern work.
The earthenware and unglazed pottery occupied in front of Korean Ceramics, are high valued work of art together with long history, which shows the power of traditional art. Especially, the natural glaze phenomenon such as painted in glaze after ash of wood is sticked to the surface of vessel and various kiln happenings are only the characteristic in unglazed pottery.
Recently, the structure of wood kiln was improved and the kiln happening was possible to be made by artificial means. And many potters is paying attention to the attraction of wood kiln.
So, this study is to consider the aesthetic value of Korean traditional ceramic art in center of relic and work manufactured by unglazed work and overcome the crisis of extinction for traditional skill by unglazed work manufactured in modern and propose the possibility to manufacture the more various modern works of pottery through the succession and development.

영어초록

The various steps will be available to develop the original pottery culture since earthenwares has been manufactured from the Neolithic Age. But the vessel used by our ancestor actually in every life , was not one´s own fashion but unglazed pottery, kind of earthenware techniques which is not painted in glaze. Even though it has been used for long time, the existence of vessel is not embossed in pottery history of Korea specified on the center of pottery manufactured by unglazed work. And also, Korean particular unglazed work in the unbroken various thousands year, is still little interested and not only technical study thesis but there are few writers to work the modern work.
The earthenware and unglazed pottery occupied in front of Korean Ceramics, are high valued work of art together with long history, which shows the power of traditional art. Especially, the natural glaze phenomenon such as painted in glaze after ash of wood is sticked to the surface of vessel and various kiln happenings are only the characteristic in unglazed pottery.
Recently, the structure of wood kiln was improved and the kiln happening was possible to be made by artificial means. And many potters is paying attention to the attraction of wood kiln.
So, this study is to consider the aesthetic value of Korean traditional ceramic art in center of relic and work manufactured by unglazed work and overcome the crisis of extinction for traditional skill by unglazed work manufactured in modern and propose the possibility to manufacture the more various modern works of pottery through the succession and development.

참고자료

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