현대 여성시에 나타난 ‘다른 몸-되기’의 전략화 양상 - 이원, 김행숙의 시를 중심으로 - (Aspects of being strategy of ‘different body-becoming’ shown on modern woman poetry - Focused on poems written by Lee Won and Kim Haeng-sook -)

서지정보

· 발행기관 : 한국언어문학교육학회
· 수록지 정보 : 한어문교육 / 34권 / 181 ~ 216페이지
· 저자명 : 김순아

초록

This study investigated aspects of being strategy of ‘different body- becoming’ shown on modern woman poetry, focusing on poems written by Lee Won and Kim Haeng-sook. The author gave attention on ‘different body- becoming’. This is because studies on woman poems so far have stress on ‘female body’ which post-modern feminists suggested. But when woman poems are read only in ‘woman body’, manhood can be rather neglected or various voices of woman poems can be intercepted. Above all, poems of the two poets are characterized by this- two all are not conscious of ‘woman body’ herself.
Accordingly, it would be necessary to newly approach study of ‘body’ in woman poems in a more comprehensive way. The study read poems of the two poets, referring to ‘- becoming’ theory of Gilles Deleuze who refused uniqueness and oneness of (woman) body. According to Deleuze, body is anarchism and produces various desires. ‘- becoming’ means mechanism of desire created at the point. This aims at strong qualitative change which comes from connection between one body and another body. Here, the change means new creation and shift, not imitation of other body. Deleuze suggested this as concept of body without organs and asserted that this concept is a subject which we should finally arrive at.
In the poems of Lee Won, ‘body’ is disclosed through reification- becoming. As a subject of becoming, a speaker is suggested in complex figure which becomes one with accessary of machine or strange nature. But the speaker is not fixed to a certain state. It is intimated that the speaker can move and change continuously. The poet rouses even the other side of thing(body) which was closed by human subjective idea, minimizing her own idea. Body drawn in this way is a subject of post-center free from concept of symbolic system. The body shows the poet’s desire which leaves and escapes from existing idea. Poems of Kim Haeng-sook also show similar aspects to Lee Won. But her poems are different from Lee Won as her poems show another creation such as ‘gas’, ‘grain’ etc. Speakers as gas or grain stay in other body and then, are reborn in completely new appearance. When they stay in other body, they are not bound in one oneness. Partial individual without subject becomes ‘I’ and it shifts and is created without pause. Through this, not only existence method but also method to have a relationship with others are explored. Poems of the two poets would have meaning that their poems do not consider immense enemy as man but break all the existing ideas and newly explore now-here, our existence and relationship.

영어초록

This study investigated aspects of being strategy of ‘different body- becoming’ shown on modern woman poetry, focusing on poems written by Lee Won and Kim Haeng-sook. The author gave attention on ‘different body- becoming’. This is because studies on woman poems so far have stress on ‘female body’ which post-modern feminists suggested. But when woman poems are read only in ‘woman body’, manhood can be rather neglected or various voices of woman poems can be intercepted. Above all, poems of the two poets are characterized by this- two all are not conscious of ‘woman body’ herself.
Accordingly, it would be necessary to newly approach study of ‘body’ in woman poems in a more comprehensive way. The study read poems of the two poets, referring to ‘- becoming’ theory of Gilles Deleuze who refused uniqueness and oneness of (woman) body. According to Deleuze, body is anarchism and produces various desires. ‘- becoming’ means mechanism of desire created at the point. This aims at strong qualitative change which comes from connection between one body and another body. Here, the change means new creation and shift, not imitation of other body. Deleuze suggested this as concept of body without organs and asserted that this concept is a subject which we should finally arrive at.
In the poems of Lee Won, ‘body’ is disclosed through reification- becoming. As a subject of becoming, a speaker is suggested in complex figure which becomes one with accessary of machine or strange nature. But the speaker is not fixed to a certain state. It is intimated that the speaker can move and change continuously. The poet rouses even the other side of thing(body) which was closed by human subjective idea, minimizing her own idea. Body drawn in this way is a subject of post-center free from concept of symbolic system. The body shows the poet’s desire which leaves and escapes from existing idea. Poems of Kim Haeng-sook also show similar aspects to Lee Won. But her poems are different from Lee Won as her poems show another creation such as ‘gas’, ‘grain’ etc. Speakers as gas or grain stay in other body and then, are reborn in completely new appearance. When they stay in other body, they are not bound in one oneness. Partial individual without subject becomes ‘I’ and it shifts and is created without pause. Through this, not only existence method but also method to have a relationship with others are explored. Poems of the two poets would have meaning that their poems do not consider immense enemy as man but break all the existing ideas and newly explore now-here, our existence and relationship.

참고자료

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