漢鏡銘與漢瓦當文字比較研究 (A comparative research on the mirror inscription of han dynasty and the tile inscription of han dynasty)

서지정보

· 발행기관 : 한국동양예술학회
· 수록지 정보 : 동양예술 / 45호 / 373 ~ 394페이지
· 저자명 : jia changqing, 장지훈

초록

銅鏡與瓦當產生的時間歷史久遠，而鏡銘和文字瓦當出現的時間更可以追溯到西漢初期。漢代文字銅鏡和文字瓦當的出現，賦予了銅鏡和瓦當更多的文化屬性，從銅鏡和瓦當上的文字和紋飾等特點中，我們可以窥探到漢代的社會、文化、經濟、政治等情況。漢代鏡銘和文字瓦當無論是在產生的時間還是形制、紋飾或是文字內容、文化內涵、轉讀方法等都有很多的相同之處。
同為漢代同時期密切相關的兩種產物，兩者之間必然存在著相互影響、相互借鑒的關係。作為漢代最為主要的兩種應用書體篆書和隸書，均在銅鏡和瓦當上有所體現，結字構形變化多樣、構思巧妙。通過兩者的相互比較，梳理漢代鏡銘和瓦當文字的藝術特色和構形特點等，對了解漢代書法、篆刻的發展具有積極的作用，在豐富和拓展當代書法篆刻“印外求印”的學習和借鑒之路上更是具有深遠意義。

영어초록

Bronze mirrors and earthen tiles have a long history, and the appearance of mirror inscription and writing earthen tiles can be traced back to the early Western Han Dynasty. The appearance of the bronze mirror and the tile of the Han Dynasty has endowed the bronze mirror and the tile with more cultural attributes. From the characters and ornamentation on the bronze mirror and the tile, we can see the social, cultural, economic and political situation of the Han Dynasty. There are many similarities between the mirror inscription and the writing tile of Han Dynasty in terms of time, shape, ornamentation, writing content, cultural connotation and method of transliteration.
They are two products closely related to the same period of Han Dynasty. There must be a mutual influence and reference between them. As the two most important applied calligraphy styles in the Han Dynasty, seal script and official script are both reflected in bronze mirrors and eaves tiles, with various shapes and ingenious designs. Through the comparison between the two, combing the artistic features and configuration features of mirror inscription and tile inscription in Han Dynasty has a positive effect on understanding the development of calligraphy and seal cutting in Han Dynasty, and has far-reaching significance on enriching and expanding the learning and reference of contemporary calligraphy seal cutting "seeking for seal outside seal".

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