리브레토 작가 무소륵스키와 『호반시나』에 새겨진 ‘분열’의 시간 (Mussorgsky as Librettist: The Time of ‘Schism,’ Inscribed in Khovanshchina)

서지정보

· 발행기관 : 한국러시아문학회
· 수록지 정보 : 러시아어문학연구논집 / 76호 / 7 ~ 39페이지
· 저자명 : 김혜란

초록

Mussorgsky is an artist of strong belief and aspiration. He aspired to be a reformist-artist who denies established formulas and had the obsessive-compulsive belief to tell people new things, words that resonate with the truth. This paper studies Khovanshchina as a result of that belief.
Creating Khovanshchina, a historical opera about the transition from medieval Moscow to modern Russia, Mussorgsky wanted musical representation of individual and crowd in detail as in the paintings of Repin or Surikov. He thought that not only individual people but also the crowd has individuality and he wanted to create people’s drama. And to do so, he plunged deeply into the world of Moscow, the belief of Old-believers of the second half of the 17th century. This study focuses on Khovanshchina as an opera that tells a lot about the aspirations of the era of populism itself, paying attention to the fact that it is a work that imprints the schism of Mussorgsky and his era as well as the ‘Schism’(Raskol) as the leitmotif in Khovanshchina.

영어초록

Mussorgsky is an artist of strong belief and aspiration. He aspired to be a reformist-artist who denies established formulas and had the obsessive-compulsive belief to tell people new things, words that resonate with the truth. This paper studies Khovanshchina as a result of that belief.
Creating Khovanshchina, a historical opera about the transition from medieval Moscow to modern Russia, Mussorgsky wanted musical representation of individual and crowd in detail as in the paintings of Repin or Surikov. He thought that not only individual people but also the crowd has individuality and he wanted to create people’s drama. And to do so, he plunged deeply into the world of Moscow, the belief of Old-believers of the second half of the 17th century. This study focuses on Khovanshchina as an opera that tells a lot about the aspirations of the era of populism itself, paying attention to the fact that it is a work that imprints the schism of Mussorgsky and his era as well as the ‘Schism’(Raskol) as the leitmotif in Khovanshchina.

참고자료

· 없음