창야오(昌耀)의 ‘유형 4부곡(流放四部曲)’과 1980년대 시의 허무의식 (Chang Yao’s “Exile tetralogy” and the Poem’s Sense of Futility in the 1980s)

서지정보

· 발행기관 : 대한중국학회
· 수록지 정보 : 중국학 / 76호 / 1 ~ 27페이지
· 저자명 : 김소현

초록

1980년대는 시인 창야오의 창작이 본격화되고 서북 변방의 시인 창야오가 세상에 알려진 시점이다. ‘유형 4부곡(流放四部曲)’이라 지칭되는 일련의 장시(长诗)와 조형 능력이 탁월한 시를 발표하면서 문혁 이후 시단에 신선한 바람을 불어넣었던 창야오는 과거와 현재를 관통하는 예술적 사유와 언어 감각으로 독자적인 시 세계를 구축했다. 이 연구의 목적은 1980년대 창야오의 시를 그의 개인사와 함께 분석하고, 1980년대라는 시대적 전환기에 그의 시가 가지는 사회 문화적 의미를 파악하는 것이다. 시인의 개인사는 1980대 대표작의 분석과 이해에 중요한 단서를 제공하기 때문이다.

영어초록

The 1980s was a time when Chang Yao‘s creation of poetry took place in earnest. And Chang Yao, a poet on the northwest side of China, is known to the world.
Chang Yao was born into a wealthy landowner’s family in Hunan, fought in the Korean War, and was led to Qinghai Province by the slogan “West North Great Development”. After 22 years of exile, Chang Yao appeared in Chinese poetry with the long poem “The Prisoner of the Great Mountain”. Since then, Chang Yao has released many poems featuring his long poems and sculptural abilities, which are called “Exile tetralogy:” and breathed fresh air into Chinese poetry.
Chang Yao established his own world of poetry that could be recorded in Chinese history with his cultural and artistic thinking ability and unique sense of language that penetrates the past and present. As Chinese society has changed rapidly since the mid-1980s, internal conflict in Chang Yao begins, and his poetry reveals the sense of absurdity and nervousness.
Chang Yao, who maintained an experimental spirit as much as the younger generation in the 1980s, did not neglect his poetic transformation efforts with an attitude of constant reform. Chang Yao‘s prose in the 1990’s is another research project that requires observation and analysis.

참고자료

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