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환멸의 세계와 탐미적 서사 ─ 박범신론 (World of disillusionment and Aesthetic description ─ Theory of Park, Bum-Shin)

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최초등록일 2025.04.23 최종저작일 2009.04
22P 미리보기
환멸의 세계와 탐미적 서사 ─ 박범신론
  • 미리보기

    서지정보

    · 발행기관 : 한국문예창작학회
    · 수록지 정보 : 한국문예창작 / 8권 / 1호 / 65 ~ 86페이지
    · 저자명 : 김병덕

    초록

    This thesis is a study on the salient traits of his origin of writing,
    world view, and manner in creative writing of “The cart which a
    white caw is pulling”and “The dirty desk”with himself own strong
    autobiographic character mainly.
    First of all, this thesis found out his grave pessimism in the process
    of study. The writer expresses his awareness of futility from a tragic
    reality of a denial of birth, a discord within the family, poverty and
    structural contradiction and dominative theory in our society and so
    on. The writer who felt disillusionment from a tragic world selected
    writing of the novel in compensation for the matter and the concrete
    methodology was a slant toward the aesthetic world.
    The aesthetic nature to be embodied by the writer is as in the
    following. First, it is longing for the out -of-ordinary happenings and
    death. The writer finely images to use material grotesque and sensual
    for a novel. Second, it is a sexual love of the out - of - ordinary. In
    recent years the writer comes up with an idea that the indecent
    aesthetics coexists in a work of art with everyday life through a sex
    scene of abnormal sexuality with sadism instead of a conventional
    affectionate sexual love. Third, it makes the good use of a sensual
    language. This contributed definitely to a close relation with the popular as his major point.
    The writer presents an aesthetic pleasure to readers through a
    delicate sensational description about an intuitional cognition for
    object. It brought the value that the slant toward the aesthetic world
    made his work be inadequate for an ability of real response. This is
    because the writer gained access to the aesthetic world and object
    with flashing imagination. Such aspect showed a further deepened
    tendency from the work after an end of his literary career.
    In such point, there is an problem for the writer to solve how the
    harmonious combination should made up between an imageable
    intuition and contemplation of a wait -and- see attitude toward the
    world in the other side of a superficial aestheticism.

    영어초록

    This thesis is a study on the salient traits of his origin of writing,
    world view, and manner in creative writing of “The cart which a
    white caw is pulling”and “The dirty desk”with himself own strong
    autobiographic character mainly.
    First of all, this thesis found out his grave pessimism in the process
    of study. The writer expresses his awareness of futility from a tragic
    reality of a denial of birth, a discord within the family, poverty and
    structural contradiction and dominative theory in our society and so
    on. The writer who felt disillusionment from a tragic world selected
    writing of the novel in compensation for the matter and the concrete
    methodology was a slant toward the aesthetic world.
    The aesthetic nature to be embodied by the writer is as in the
    following. First, it is longing for the out -of-ordinary happenings and
    death. The writer finely images to use material grotesque and sensual
    for a novel. Second, it is a sexual love of the out - of - ordinary. In
    recent years the writer comes up with an idea that the indecent
    aesthetics coexists in a work of art with everyday life through a sex
    scene of abnormal sexuality with sadism instead of a conventional
    affectionate sexual love. Third, it makes the good use of a sensual
    language. This contributed definitely to a close relation with the popular as his major point.
    The writer presents an aesthetic pleasure to readers through a
    delicate sensational description about an intuitional cognition for
    object. It brought the value that the slant toward the aesthetic world
    made his work be inadequate for an ability of real response. This is
    because the writer gained access to the aesthetic world and object
    with flashing imagination. Such aspect showed a further deepened
    tendency from the work after an end of his literary career.
    In such point, there is an problem for the writer to solve how the
    harmonious combination should made up between an imageable
    intuition and contemplation of a wait -and- see attitude toward the
    world in the other side of a superficial aestheticism.

    참고자료

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