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조오현 선시「일색변」에 나타난 무아론 (A Theory of Selflessness shown to Zen Poems, Ilsaekbyeon written by Jo O-hyeon)

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최초등록일 2025.04.22 최종저작일 2008.06
23P 미리보기
조오현 선시「일색변」에 나타난 무아론
  • 미리보기

    서지정보

    · 발행기관 : 한국문예창작학회
    · 수록지 정보 : 한국문예창작 / 7권 / 1호 / 27 ~ 49페이지
    · 저자명 : 권성훈

    초록

    The purpose of this paper is to study Zen poems called Gaeosi
    meaning that truth can be understood through the truth of Buddhism.
    First, the poet Jo O-hyeon represented a variety of thoughts related to
    Zen poems especially through the Buddhism performance, one of
    which is Ilsaekbyeon, a series of poems, “Jeolgan Story”. Through
    the work, “Ilsaekbyeon”which was continually and intensively
    depicted, the poet revealed his ardent poetic exploring for being and
    the deep theory of being and life. In this paper, the truth he pursued
    on the basis of the analysis of Buddhism principle is examined
    especially by way of the work,“ Ilsaekbyeon”as to the real life image
    and the method of transcending the value of being on the way to
    finding the nature in the process of Buddhism performance.
    “Ilsaekbyeon”regarded humans asked, “Who am I?”as poetic
    importance.
    The studying process by the monk reveals the answer through the
    continual circulatory relation, that is, O-on without authors. In other
    words, the spiritual struggle made in the stage of acknowledging the
    emptiness of the world called ‘saek’and “myeong”is understood
    based on the inner property of things.
    Through the study, the real source of knowing the real thing of things stemmed from the mental path and vulgar one as well, on the
    other hand, all the things existing in the world are co-related one
    another, being one as an O-on being.
    In addition, some materialism underlain in humans suffering from
    the vulgar world is represented in the Buddhism aspect which denies
    substantial thoughts, being construed as O-on for the object of pursuit
    of physical and mental liberation.
    The centerpiece of this study is the relation such as saek to soo, soo
    to sang, sang to haeng, and haeng to sik, all of which symbolically
    and paradoxically represent that myeong and saek stem from body
    and mind, material and spirit from O-on respectively.
    In a nutshell, as the human nature originates from all kinds of
    desires and it has an empty being along with the world, the basic
    concept as to all things is just the same as the self called“ ja-a”.
    However, the desire happening in the mind has a variety of agony
    and anxiety, although most humans have the world in the midst of
    desire of possessing all materials. This reaches the selfless questions
    which all kinds of desires radically are based on foolishness.
    The poems as a text search for the nature of human being
    assimilated into nature from the property of things, realizing that
    humans are just the very feeble beings, entering the ground of Zen as
    a Zen tool in order to obtain the real freedom.
    The prerequisites to get the real freedom is to perform incessantly
    through self-denial. This study suggests that the real picture toward
    being should be found and reached the ground of Zen through the
    proper thoughts.
    From the study, the real picture of being is hypocricy and vanity
    stemmed from desire and all things are the same as I, of course,
    obtaining empty world view. That is, all things are the truth as they are and as they are true, they
    are all Buddha. The only method of meeting Buddha is through
    waking our sleeping Buddha in our mind, only meeting the Buddha
    existing in all things.

    영어초록

    The purpose of this paper is to study Zen poems called Gaeosi
    meaning that truth can be understood through the truth of Buddhism.
    First, the poet Jo O-hyeon represented a variety of thoughts related to
    Zen poems especially through the Buddhism performance, one of
    which is Ilsaekbyeon, a series of poems, “Jeolgan Story”. Through
    the work, “Ilsaekbyeon”which was continually and intensively
    depicted, the poet revealed his ardent poetic exploring for being and
    the deep theory of being and life. In this paper, the truth he pursued
    on the basis of the analysis of Buddhism principle is examined
    especially by way of the work,“ Ilsaekbyeon”as to the real life image
    and the method of transcending the value of being on the way to
    finding the nature in the process of Buddhism performance.
    “Ilsaekbyeon”regarded humans asked, “Who am I?”as poetic
    importance.
    The studying process by the monk reveals the answer through the
    continual circulatory relation, that is, O-on without authors. In other
    words, the spiritual struggle made in the stage of acknowledging the
    emptiness of the world called ‘saek’and “myeong”is understood
    based on the inner property of things.
    Through the study, the real source of knowing the real thing of things stemmed from the mental path and vulgar one as well, on the
    other hand, all the things existing in the world are co-related one
    another, being one as an O-on being.
    In addition, some materialism underlain in humans suffering from
    the vulgar world is represented in the Buddhism aspect which denies
    substantial thoughts, being construed as O-on for the object of pursuit
    of physical and mental liberation.
    The centerpiece of this study is the relation such as saek to soo, soo
    to sang, sang to haeng, and haeng to sik, all of which symbolically
    and paradoxically represent that myeong and saek stem from body
    and mind, material and spirit from O-on respectively.
    In a nutshell, as the human nature originates from all kinds of
    desires and it has an empty being along with the world, the basic
    concept as to all things is just the same as the self called“ ja-a”.
    However, the desire happening in the mind has a variety of agony
    and anxiety, although most humans have the world in the midst of
    desire of possessing all materials. This reaches the selfless questions
    which all kinds of desires radically are based on foolishness.
    The poems as a text search for the nature of human being
    assimilated into nature from the property of things, realizing that
    humans are just the very feeble beings, entering the ground of Zen as
    a Zen tool in order to obtain the real freedom.
    The prerequisites to get the real freedom is to perform incessantly
    through self-denial. This study suggests that the real picture toward
    being should be found and reached the ground of Zen through the
    proper thoughts.
    From the study, the real picture of being is hypocricy and vanity
    stemmed from desire and all things are the same as I, of course,
    obtaining empty world view. That is, all things are the truth as they are and as they are true, they
    are all Buddha. The only method of meeting Buddha is through
    waking our sleeping Buddha in our mind, only meeting the Buddha
    existing in all things.

    참고자료

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