The Mode of Existence in Primordial dwelling space of Hanok according to G. Bachelard's Image Phenomenology

서지정보

· 발행기관 : 한국공간디자인학회
· 수록지 정보 : 한국공간디자인학회 논문집 / 10권 / 4호 / 9 ~ 18페이지
· 저자명 : 이지원, 유진형

초록

(Background and Purpose) What kind of existential characteristic does the primordial relationship have with the space we experience in the modern urban environment? Does the poetical imagination suggested by Bachelard have any influence on our real perceptional life and space? Concerning these aspects, this study looks for the characteristics of the existence mode of the space through the naturalness of Hanok, which is the traditional Korean house. This study analyzes the naturalness of dwelling space that Hanok possesses, and aims to trace what kind of relationship it has with the aspect of phenomenology of poetic imagination described by Bachelard. The process of this approach induces the necessity of determining the inherent value that it should hold in the current dwelling space through the concept of poetic imagination in Bachelard's concept of Image Phenomenology. (Method) The goal of this study is to look at the characteristics of the existence mode of primordial space through poetic dwelling at the Hanok space based on the area according to the poetic imagination as per Bachelard. The purpose of this study is to help approach how the poetic imagination reveals the primordial characters of dwelling space and the setting of the phenomenological mode on the space that people experience in the future by showing its relation to the nature-friendly space concept of Hanok. After distilling the characteristics of Bachelard's poetical imagination, it seeks to find how they are related to the naturalness of Hanok. (Results) The naturalness of Hanok space had the principle of becoming the image consistently similar to the dynamic vitality of nature due to its characteristic holism and convergence that attempts to form a unity between nature, house, and human. It was also connected to the process of becoming of image that was dynamically replayed by the active acknowledgement phenomenon of dreaming people of Bachelard, that is dreaming people who are awake at the same time. Due to these connections, the primordial dwelling space of Hanok that makes the poetical imagination possible is filled up with reborn images of moments. These images were subjectively and actively vitalized without being fixed anymore. (Conclusions) The image that Bachelard wanted to realize through the role of dreaming people plays a role in recovering a healthy contact between the self awareness of people and nature. The phenomenon that is concentrated on restoration was eventually about what kind of relationship the human space made with nature. This means that it was based on the energy that occurred when people face the space, that is image-interactive according to the imagination, in other words, poétiser. In the end, the naturalness of Hanok towards the affirmative energy that was to poétiser the space of dwellers through the imagination based on the dweller's attitude, to become friendly with nature. The motility of the dynamic metamorphosis phenomenon that was the law of vitality of Hanok's space that was poétiser, was similar to the motility of image which was made by the active imagination.

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