‘문명개화’와 긴자의 도시공간성에 관한 니시키에 연구 ― 긴자렌가도리니시키에(銀座煉瓦通り錦絵)를 중심으로 ― (The Nishikie Study of Civilization and Enlightenment and City Spatial Characteristic of Ginza ― Study of Ginzarenganishikie ―)

서지정보

· 발행기관 : 도시사학회
· 수록지 정보 : 도시연구: 역사·사회·문화 / 10호 / 39 ~ 67페이지
· 저자명 : 김경리

초록

서구와 동일한 문명국으로서의 일본 위상의 구상화로 시작된 ‘도시 도쿄’의랜드마크 긴자가 긴자렌가도리 니시키에 속에서 ‘문명개화’라는 패러다임을 어떤 이미지로 생산하고, 소비하여 새로운 문화적 양상을 표출해내었는지 중점적으로 보았다. 긴자가 갖는 도시 공간의 역할이 단순한 서구식 벽돌건물과정비된 가로라는 시각적 표상을 넘어서서 세계가 주목하는 ‘긴자 브랜드’로 치환되었다. 즉 메이지20년대의 긴자렌가도리에서 출발한 쇼핑과, 패션, 정보, 광고들은 다이쇼와 쇼와를 거쳐 현재 도쿄의 핫 플레이스가 될 수 있도록 하는 구심점이 되었다.

영어초록

The influx of “Civilization and Enlightenment” from Yokohama and Tsukichi arrived in Ginza of Tokyo through Edo. As European-style streets and brick buildings began to arise under the Meiji government’s city reconstruction plan, Ginzarengadori was becoming reformed into a new modern space. Such Ginzarengadori was becoming a symbol of various images, norms and cultural contents shifting between reality and exaggeration in Ginzarengadori Nishikie. The Ginza in Nishikie clearly expressed an element of “Civilization and Enlightenment” for the visual homogeneity through transfer of modern space from the West and transformation of Japanese culture. This was actively used to save the status of civilized Japan, by endlessly providing various modern cultural codes to many Japanese, who were striving for external “Civilization and Enlightenment”. By effectively using the space of a modern city, Ginza claimed its characteristic as modern city of Tokyo, the capital of Japan. However, by standing out as a place, where information and popularity arising from the spatial connections between Yokohama, Shinbashi and Tsukichi gets consumed, Ginzarengadori became a landmark of the 19th century Tokyo, Japan, that exceeds Nihonbashi. Bypassing through they ears of Meiji(明治), Taisyo(大 正), and Syowa(昭和), it still remains as the hot place for heightening the marketability as a consumption market for the globally renowned brands today.

참고자료

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