『딕테』에 나타난 디아스포라의 언어 고찰 (A study on diaspora and language in Dictee)

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초록

This paper is an analysis about Dictee written by Cha, Hak-Kyung, a Korean-American, who tried for works beyond genre focusing on matters of diaspora and language. Until he passed away at age of 31, he was a writer who solidly dealt with images, text relations, implication of women and bodies, and substance of diaspora by moving about most energetically in many sorts of medias such as books, films, videos, mail arts, ad criticism, stamp arts, and performing arts.
Dictee has some difference from existing books that we’ve seen so far. This book tells stories about shunned strangers, existence of minor races, experience of women, suffering as Japanese colony, longing of innocent love, and vivid self-awareness of himself, within a dispersed world that he started from himself. She already expressed a multicultural ideal in which all the diversity can harmonize beyond the walls of races, religions, languages, and ideology. The root of multiculturalism is based on pluralism. In this paper, the author deeply scrutinized the non-existence and transcendence of time and space and their eternity. And he also accepted Cha Hak Kyung’s mythological recognition as historical consciousness replaced by lives with wings and free flight. Kim, Kyum-Hyang expressed Dictee as voice of shaman or voice of The Princess Bari in Comparison Study of Mythologies Appeared in Dictee Written by Cha, Hak-Kyung and Comfort Woman Written by Nora Okja Keller. However, this paper places more weight on the image of ‘Butterfly’ of Chuang-tzu, that is, restoration or transcendence.
In other words, it is seen that women independently in their own language of Diaspora speaks about women’s identity, which is even further expanding to the voice that Koreans make toward the world. In particular, Dictee is an example that resurrects Diaspora’s linguistic outsiders’ view into even strong points. This paper analyses and talks about the identity of Diaspora on the work beyond genre or mixed one. Especially, this unusual success is due to author’s excellence in artistic talent and study of diverse cultural theories. However, more originally speaking, this is just because the author was able to experience by himself his disruption and dismantlement through his unique antecedent and thus reform this into artistic works.

영어초록

This paper is an analysis about Dictee written by Cha, Hak-Kyung, a Korean-American, who tried for works beyond genre focusing on matters of diaspora and language. Until he passed away at age of 31, he was a writer who solidly dealt with images, text relations, implication of women and bodies, and substance of diaspora by moving about most energetically in many sorts of medias such as books, films, videos, mail arts, ad criticism, stamp arts, and performing arts.
Dictee has some difference from existing books that we’ve seen so far. This book tells stories about shunned strangers, existence of minor races, experience of women, suffering as Japanese colony, longing of innocent love, and vivid self-awareness of himself, within a dispersed world that he started from himself. She already expressed a multicultural ideal in which all the diversity can harmonize beyond the walls of races, religions, languages, and ideology. The root of multiculturalism is based on pluralism. In this paper, the author deeply scrutinized the non-existence and transcendence of time and space and their eternity. And he also accepted Cha Hak Kyung’s mythological recognition as historical consciousness replaced by lives with wings and free flight. Kim, Kyum-Hyang expressed Dictee as voice of shaman or voice of The Princess Bari in Comparison Study of Mythologies Appeared in Dictee Written by Cha, Hak-Kyung and Comfort Woman Written by Nora Okja Keller. However, this paper places more weight on the image of ‘Butterfly’ of Chuang-tzu, that is, restoration or transcendence.
In other words, it is seen that women independently in their own language of Diaspora speaks about women’s identity, which is even further expanding to the voice that Koreans make toward the world. In particular, Dictee is an example that resurrects Diaspora’s linguistic outsiders’ view into even strong points. This paper analyses and talks about the identity of Diaspora on the work beyond genre or mixed one. Especially, this unusual success is due to author’s excellence in artistic talent and study of diverse cultural theories. However, more originally speaking, this is just because the author was able to experience by himself his disruption and dismantlement through his unique antecedent and thus reform this into artistic works.

참고자료

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