불화 속 여인들의 머리형태에 관한 고찰- 서사적 내용 속의 여인들을 중심으로 - (A Study on Hair Style of Women in Buddhist Paintings - focusing on women in descriptive contents -)

서지정보

· 발행기관 : 한국인체미용예술학회
· 수록지 정보 : 한국인체미용예술학회지 / 15권 / 1호 / 199 ~ 214페이지
· 저자명 : 임수빈, 김성남

초록

There are several types of Buddhist paintings, among which the target of this studywas the descriptive ones. The reasons why the Buddhist painting was chosen for thestudy of classical hair style were as follows: first, its temporal background is far broaderthan folk painting or genre paintings; second, the class layers in it is so diverse that itsometimes expresses the high-class women in it.
During the Three Kingdoms Age, such an aspect can be also seen in the old tombs ofGoguryeo, especially in Jangcheon No.1 and Ssangyeongchong. In tre Goryeo Age, a lotof excellent descriptive paintings were produced under royal protection. Byeonsangdo andSuwolgwaneumdo were example of these. Though the Joseon Dynasty encouragedConfucianism and suppressed Buddhism, there were many Buddhist paintings. Especially,as Joseon Buddhist paintings came to be so deeply rooted into ordinary people's livesthat they were not largely constrained by the class layers, we can see not only ordinarypeople but also high-class women in them. Overlapping with the age of folk painting,Joseon Buddhist paintings went to their latter age, where the women were expressedmore diversely than in folk paintings.

영어초록

There are several types of Buddhist paintings, among which the target of this studywas the descriptive ones. The reasons why the Buddhist painting was chosen for thestudy of classical hair style were as follows: first, its temporal background is far broaderthan folk painting or genre paintings; second, the class layers in it is so diverse that itsometimes expresses the high-class women in it.
During the Three Kingdoms Age, such an aspect can be also seen in the old tombs ofGoguryeo, especially in Jangcheon No.1 and Ssangyeongchong. In tre Goryeo Age, a lotof excellent descriptive paintings were produced under royal protection. Byeonsangdo andSuwolgwaneumdo were example of these. Though the Joseon Dynasty encouragedConfucianism and suppressed Buddhism, there were many Buddhist paintings. Especially,as Joseon Buddhist paintings came to be so deeply rooted into ordinary people's livesthat they were not largely constrained by the class layers, we can see not only ordinarypeople but also high-class women in them. Overlapping with the age of folk painting,Joseon Buddhist paintings went to their latter age, where the women were expressedmore diversely than in folk paintings.

참고자료

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