<그라두알리아>: 서문을 통해 조명하는 버드의 음악관과 전례 (Byrd's Gradualia: Musical Concerns and Liturgy Reflected in the Prefaces)

서지정보

· 발행기관 : 한양대학교 음악연구소
· 수록지 정보 : 음악논단 / 23권 / 1 ~ 20페이지
· 저자명 : 이영민

초록

This paper is concentrated on William Byrd(1540-1623)'s musical concerns and liturgical intent reflected in the prefaces of his Gradualia. Primarily a collection of pieces of Mass Propers, Gradualia is Byrd's largest collection of music, consisting of 109 pieces in two volumes.
Since the texts of Mass Proper had been excluded in the Anglican liturgy during Reformation, it would have been very rare for a composer to remember the tradition of Mass Proper by the time the London-born Byrd published the Gradualia. Moreover, to manifest one's Catholic faith was rather dangerous in England at the time. Thus, it is very interesting to examine the sociological background and purpose of producing Gradualia.
Byrd, a gentleman of the Chapel Royal, was loyal to Queen Elizabeth (reign: 1558-1603) and King James(reign: 1603-1608), but he, with his family, observed the strong Catholic faith. Byrd even declared that Gradualia was the public testimony of his faith, and the pieces in Gradualia are thought to have been written for the recusant community.
To obtain a general overview of its contents and understanding of its organization, it will be helpful to begin with composer's own first-person prefaces to Gradualia. In his prefaces, Byrd introduced the repertories and expressed his opinion on the role of a composer for the liturgical music; he also explained his process of composing; his calling for liturgy; the sacred character of music; and the importance of the sacred text as the fountain of musical inspiration.

영어초록

This paper is concentrated on William Byrd(1540-1623)'s musical concerns and liturgical intent reflected in the prefaces of his Gradualia. Primarily a collection of pieces of Mass Propers, Gradualia is Byrd's largest collection of music, consisting of 109 pieces in two volumes.
Since the texts of Mass Proper had been excluded in the Anglican liturgy during Reformation, it would have been very rare for a composer to remember the tradition of Mass Proper by the time the London-born Byrd published the Gradualia. Moreover, to manifest one's Catholic faith was rather dangerous in England at the time. Thus, it is very interesting to examine the sociological background and purpose of producing Gradualia.
Byrd, a gentleman of the Chapel Royal, was loyal to Queen Elizabeth (reign: 1558-1603) and King James(reign: 1603-1608), but he, with his family, observed the strong Catholic faith. Byrd even declared that Gradualia was the public testimony of his faith, and the pieces in Gradualia are thought to have been written for the recusant community.
To obtain a general overview of its contents and understanding of its organization, it will be helpful to begin with composer's own first-person prefaces to Gradualia. In his prefaces, Byrd introduced the repertories and expressed his opinion on the role of a composer for the liturgical music; he also explained his process of composing; his calling for liturgy; the sacred character of music; and the importance of the sacred text as the fountain of musical inspiration.

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