미디어를 통해 본 제1차 세계대전의 양상 고찰 - 시마자키 도손의 『전쟁과 파리(戦争と巴里)』를 중심으로 - (A Study on the World War I through the Media - Focusing on Shimazaki Toson's "Senso to Pari" -)

서지정보

· 발행기관 : 한국일어일문학회
· 수록지 정보 : 일어일문학연구 / 112권 / 163 ~ 191페이지
· 저자명 : 김남경

초록

Just as the World War I changed the map of Europe, Toson’s "War Experience" in Paris served as a turning point in his life. Toson’s "In the Face of War" written for the Tokyo Asahi Shimbun predicted that "this world war would surpass the Franco-Prussian War and overturn the 20th century order," in contrast to Mimei Ogawa, who said in "Senso" that "newspapers report the story of the world war from the other side of the sea as if it were true," treating the war as just another story in the papers. This was one of the points which led to censorship of newspaper opinions and correspondents going into the war zones to lead the information warfare. The publication of the evening editions and the birth of the political and social divisions within Japanese Newspaper proved that the World War was also a "newspaper war" through the media. From this perspective, "Senso to Pari" by Toson, published via newspaper, was a sort of testimony made by the "people going through war" after the issue of martial law in Paris. What Toson noted in the battlefields of Paris were the actions of intellectuals, especially writers. The words of Charles Maurras’s, who dreamt of young France and also sought to unite ideals with reality, changed Tōson's conventional perception. Rather than separating literature and politics, he instead chose to embody the "literature movement as a political movement." As the French writers valuing the spirit of social and political engagement to the point of duty, they were among the first to spark "the nationalist movement" during wartime, igniting patriotism in the French youth to march them into war and also to stirring up the war fever among the general public.

영어초록

Just as the World War I changed the map of Europe, Toson’s "War Experience" in Paris served as a turning point in his life. Toson’s "In the Face of War" written for the Tokyo Asahi Shimbun predicted that "this world war would surpass the Franco-Prussian War and overturn the 20th century order," in contrast to Mimei Ogawa, who said in "Senso" that "newspapers report the story of the world war from the other side of the sea as if it were true," treating the war as just another story in the papers. This was one of the points which led to censorship of newspaper opinions and correspondents going into the war zones to lead the information warfare. The publication of the evening editions and the birth of the political and social divisions within Japanese Newspaper proved that the World War was also a "newspaper war" through the media. From this perspective, "Senso to Pari" by Toson, published via newspaper, was a sort of testimony made by the "people going through war" after the issue of martial law in Paris. What Toson noted in the battlefields of Paris were the actions of intellectuals, especially writers. The words of Charles Maurras’s, who dreamt of young France and also sought to unite ideals with reality, changed Tōson's conventional perception. Rather than separating literature and politics, he instead chose to embody the "literature movement as a political movement." As the French writers valuing the spirit of social and political engagement to the point of duty, they were among the first to spark "the nationalist movement" during wartime, igniting patriotism in the French youth to march them into war and also to stirring up the war fever among the general public.

참고자료

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