2천년대 젊은 시인들의 알레고리 연구 (A Study on Allegory of Young Poets in 2000’s)

서지정보

· 발행기관 : 한국문예창작학회
· 수록지 정보 : 한국문예창작 / 7권 / 2호 / 119 ~ 144페이지
· 저자명 : 송승환

초록

Poetry of the young poets in 2000s shows a more favorable
tendency on rhetoric of allegory implying the era impossible to
embody totality and Utopian world, not on rhetoric of satire
associated with Korean political situation from 1960s to 1980s.
This thesis was intended to explain an allegorical aspect of Young
Poets in 2000s and its rhetoric meaning by researching poetry of Kim
Jung-il, Kim Sung-kyu, Hwang Sung-hee, Song Ki-young who started
from 2000s and actively used allegorical rhetoric. An allegory of the
young poets started from 2000s shows common features as follows.
First, a short narrative is built in a single poem. A short narrative
placed in a poem has a single storyas a kind of fable style. Second,
constituents in a narrative have different meaning behind. An allegory
appeared by narrative constituents indicates meaning indirectly to
modern society and reality. Third, allegorical meaning from the
constituents in religion, myths or tales intends collects as symbolic
sense while intending totality and universality. On the contrary, an
allegory of the young poets in 2000s shows that meaning of the
constituents scatters as fragmentary form and does not intend totality
or symbolic sense. The reason why allegoric meaning of the
constituents is fragmentary is that modern society loses universality and totality, and it has particularity and fragmentary specialty. Fourth,
while an allegory of the young poets in 2000s recalls pain, tragic
nature of modern society and‘this place-reality’, it does not present a
prospect for Utopian world beyond reality. Fifth, an allegory of the
young poets in 2000s shows gloom and despair of narrative
maximizing tragic nature in life which death is inevitable in modern
society as major emotions, rather than criticism against modern
society.
Like this, allegorical rhetoric frequently used by the young poets in
2000s presents only narrative of closed worlds locked in modern
society and inside of real world. Because capital violence and the
ruling order of modern society govern most parts of life as invisible
form, not by visible form, Utopian world in order to overcome hostile
reality and show is absent. Different from rhetoric of satire actively
used when political situation to be overcame is premised, rhetoric of
allegory indicates life agony in the unavoidable modern society.

영어초록

Poetry of the young poets in 2000s shows a more favorable
tendency on rhetoric of allegory implying the era impossible to
embody totality and Utopian world, not on rhetoric of satire
associated with Korean political situation from 1960s to 1980s.
This thesis was intended to explain an allegorical aspect of Young
Poets in 2000s and its rhetoric meaning by researching poetry of Kim
Jung-il, Kim Sung-kyu, Hwang Sung-hee, Song Ki-young who started
from 2000s and actively used allegorical rhetoric. An allegory of the
young poets started from 2000s shows common features as follows.
First, a short narrative is built in a single poem. A short narrative
placed in a poem has a single storyas a kind of fable style. Second,
constituents in a narrative have different meaning behind. An allegory
appeared by narrative constituents indicates meaning indirectly to
modern society and reality. Third, allegorical meaning from the
constituents in religion, myths or tales intends collects as symbolic
sense while intending totality and universality. On the contrary, an
allegory of the young poets in 2000s shows that meaning of the
constituents scatters as fragmentary form and does not intend totality
or symbolic sense. The reason why allegoric meaning of the
constituents is fragmentary is that modern society loses universality and totality, and it has particularity and fragmentary specialty. Fourth,
while an allegory of the young poets in 2000s recalls pain, tragic
nature of modern society and‘this place-reality’, it does not present a
prospect for Utopian world beyond reality. Fifth, an allegory of the
young poets in 2000s shows gloom and despair of narrative
maximizing tragic nature in life which death is inevitable in modern
society as major emotions, rather than criticism against modern
society.
Like this, allegorical rhetoric frequently used by the young poets in
2000s presents only narrative of closed worlds locked in modern
society and inside of real world. Because capital violence and the
ruling order of modern society govern most parts of life as invisible
form, not by visible form, Utopian world in order to overcome hostile
reality and show is absent. Different from rhetoric of satire actively
used when political situation to be overcame is premised, rhetoric of
allegory indicates life agony in the unavoidable modern society.

참고자료

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