넌버벌 연극 기호의 기능 연구: 도스토예프스키의 『죄와 벌』을 무대화 한 <The Game - 죄와 벌> (Research on the function of non-verbal signs in the stage of theatre : using the case of ‘The Game-Crime and Punishment’ produced by ‘Myungpum Company’ based on Dostoyevski's 'Crime and Punishment')

서지정보

· 발행기관 : 한국비교문학회
· 수록지 정보 : 비교문학 / 58호 / 179 ~ 202페이지
· 저자명 : 김효

초록

This article has objective of analysing and explaining what the semiotic and aesthetic effects of nonverbal signs is like during a performance. It requires an analysis of the performance to accomplish the commitment this article wants to accomplish. I used <The Game -Crime and Punishment> Myungpum Company produced based on Crime and Punishment of Dostoyevsky as a model of analysis. It's because this performance exposes an exceptional scenography.
Everything in the stage plays double function: semiotic and aesthetic. Semiotic one involves meaning and aesthetic one, corporeality of an object. Human perception synthesizes the sensation and the reasoning process. Body and mind are not separated from each other but merged. So the energy emitted by the corporeality of a nonverbal sign in the stage helps and enforces meaning. <The Game -Crime and Punishment> demonstrates exactly what kind of effect such an interaction of those two elements creates in our aesthetic experience when we see a performance.

영어초록

This article has objective of analysing and explaining what the semiotic and aesthetic effects of nonverbal signs is like during a performance. It requires an analysis of the performance to accomplish the commitment this article wants to accomplish. I used <The Game -Crime and Punishment> Myungpum Company produced based on Crime and Punishment of Dostoyevsky as a model of analysis. It's because this performance exposes an exceptional scenography.
Everything in the stage plays double function: semiotic and aesthetic. Semiotic one involves meaning and aesthetic one, corporeality of an object. Human perception synthesizes the sensation and the reasoning process. Body and mind are not separated from each other but merged. So the energy emitted by the corporeality of a nonverbal sign in the stage helps and enforces meaning. <The Game -Crime and Punishment> demonstrates exactly what kind of effect such an interaction of those two elements creates in our aesthetic experience when we see a performance.

참고자료

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