寒岡 鄭逑의 유거 공간과 《武屹九曲圖》 (A Study of the Yusangji and Muheulgugokdo(武屹九曲圖) byHan-gang Jeong Gu(鄭逑))

서지정보

· 발행기관 : 한국학중앙연구원 한국학중앙연구원
· 수록지 정보 : 한국학 / 33권 / 1호 / 7 ~ 47페이지
· 저자명 : 윤진영

초록

이 논문은 16세기의 유학자 한강(寒岡) 정구(鄭逑, 1543-1620)의 유상지를 그린《무흘구곡도》를 소개하고, 그 실경과 회화양식, 그리고 실경산수화(實景山水畵)로서의 의의를 살펴본 것이다. 무흘구곡은 경북 성주군의 대가천(大伽川) 일대에 걸쳐 있으며, 정구는 이곳 일원에서 초당과 정사(精舍)를 마련하여 강학과 저술에 전념하여 학문과 제자양성에 큰 업적을 남겼다. 무흘구곡은 정구의 사후 18세기에 후학(後學)들에 의해 조성되었고,《무흘구곡도》는 1784년(정조 8) 정구가 만년에 은거한 무흘정사(武屹精舍)의 중건을 기념하여 제작한 것이다.
《무흘구곡도》를 그린 지방화가로 추측되는 김상진(金尙眞)은 18세기 진경산수화를 주도한 정선(鄭敾)의 화풍을 구사하면서도 개성이 담긴 발묵법(發墨法), 그리고 실경을 충실히 관찰하고 묘사한 실경산수화에 뛰어난 기량을 보였다. 본고에서는《무흘구곡도》를 실경과 비교하여 구도와 시점(視點), 묵법의 구사, 경물의 강조 그리고 정선화풍의 영향에 대해 중점적으로 살펴봄으로써,《무흘구곡도》가 지닌 18세기 구곡도이자 실경산수화로서의 의의를 고찰하였다.

영어초록

This article introduces the painting Muheulgugokdo(武屹九曲圖, Painting of nine bends of Muheul valley) which describes Yusangji (place for entertainment and quiet enjoyment) of Jeong Gu(1543-1620), a 16th Century Confucian scholar and examines real scenes and style of the painting, and its significance as a real view landscape painting.
Muheulgugokdo is a painting drawn by painter Kim Sang-jin(金尙眞) in 1784 which describes the Daega(大伽) Creek area in Gaya(伽倻) Mt. belonging to Seongju-Gun and Gimcheon City in Gyeongsangbuk-do.
The painting was made by the proposal of Jeong Gu’s students in celebration of the renovation of Muheul Jeongsa (武屹精舍, building for teaching and learning) which Jeong Gu retired to in later life and in honor of his learning and virtue.
Muheulgugokdo is an example showing the transformation in Korea of Muigugokdo which was introduced in Korea in 16th Century.
It is a Gugokdo in the style of real view landscape painting and is a very rare case. Painter Kim Sang-jin, while practicing Jeong Sun(鄭敾)’s painting style, excelled in his unique Balmukbeop (發墨法, free style of using ink stick and brush) and in real view landscape paintings describing real scenes after meticulous examination.
Muheulgugokdo shows that Chung Sun’s style also had influence in the provinces and boasts of characteristics such as the composition and viewpoint efficiently demonstrating features of thematic scenery, the composition of picture through emphasis on thematic scenery and omission, and the powerful use of ink stick.
Also, Muheulgugokdo is a Gugokdo and real view landscape painting of the 18th Century and, since real scenes shown in the painting are well preserved, comparison with real scenes has been stressed in its analysis. Through the above, emphasis have been placed on clarifying Muheulgugokdo’s significance in the history of painting.

참고자료

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