헤이안 시대 모노가타리의 서사 공간, ‘누리고메’(塗籠) (Narrative space in the Heian era monogatari, "Nurigome")

서지정보

· 발행기관 : 한국일어일문학회
· 수록지 정보 : 일어일문학연구 / 99권 / 2호 / 83 ~ 107페이지
· 저자명 : 이미숙

초록

本稿は平安時代物語における「叙事形象空間」としての「塗籠」に注目 し、テキストにおける用例を具体的に分析することによって、塗籠という閉 鎖空間が平安時代物語においてどのような意味と機能を持っているのかにつ いて考察した論である。従来、叙事空間としての塗籠に関する研究は、「聖 所」という空間、男女関係における避難空間、再生空間といった解釈がなされてきたが、本稿の考察では以下のようなことが言える。 塗籠は平安時代の寝殿造の発達と共に貴族の生き方と恋を形象化している 物語における主要空間として定着したが、それは日本古代散文の叙事技法の 流れに属するものである。塗籠は物語において実際の建築空間、男女関係と 関わる避難所、政治的な籠城場所、女主人の居場所、霊的な存在の棲む空間 など多様な機能を持っている。よって、塗籠は聖俗どちらにも一律的に規定 できない空間である。なお、平安時代物語における塗籠の叙事主体は性別を 選ばず、男女関係における避難所としての塗籠もまた性別に関係なく恋愛関 係において弱者の方が籠る空間である。また、塗籠の叙事空間としての機能 はジャンルによって異なる。ほとんどの虚構的な物語においては男女関係と 関わる危機の恋愛空間を成すのに対し、歴史物語や説話においては男女の恋 愛空間とは関係がない。 結局、平安時代物語における叙事空間としての塗籠は実際的な建築空間を 基本的な用途にしつつ、ジャンル及びテキスト固有の性格によって内実が異 なっており、このことから平安時代物語における塗籠という叙事形象空間の 柔軟性を確認することができよう。

영어초록

This paper focuses on "Nurigome" as "narrative figure space" in the Heian era monogatari, through concrete analysis of the examples in the text. In doing so, the meaning and function of this closed space, nurigome, in the Heian era monogatari is discussed. Traditionally, research on the nurigome has considered it to be a narrative space, a space that is a "sanctuary", a refuge space within male-female relationships, or a space of renewal. The present paper, however, makes the following observations.
Nurigome was established as a major space in the monogatari which embodied the way of life and the love of the aristocracy, with the development of Shinden-zukuri in the Heian era. It belongs, however, to the wider flow of narrative techniques of Japan ancient prose. In the monogatari, nurigome serves various functions, as an actual architectural space, a shelter in the relationship between men and women, a space for political protest, a place befit for the hostess, and as a place where the spiritual dwells. As such, nurigome is a space that can not be uniformly defined as either holy nor profane. It should also be noted that both genders could be the narrative subject of the nurigome in the Heian era monogatari, and therefore nurigome as a shelter in male-female relationships is a confined space for the underdog in the relationship, regardless of gender. In addition, the function of the nurigome as a narrative space differs according to genre. In most of the fictional monogatari forms, it is a place of crisis in romance in relationships between men and women, but it has nothing to do with being a space of love between men and women in the case of historical stories and tales.
It can therefore be said that, in addition to the basic use of the practical architectural space that is the nurigome as a narrative space in the Heian era monogatari, the nature of that space differs according to the inherent nature of the genre and text. It thus becomes possible to acknowledge the flexible shape of the narrative shape as represented by the nurigome in the Heian era monogatari.

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