Free-floating Intensity, Attraction, and Failure: Ishii Sôgo / Gakuryû at the Shifting Center of the Film Industry of Japan

서지정보

· 발행기관 : 동국대학교 영상미디어센터
· 수록지 정보 : 씨네포럼 / 13호 / 79 ~ 96페이지
· 저자명 : Alexander Zahlten

초록

Sogo Gakuryû (formerly Sogo Ishii) has been at the center of three transformative moments for the film industry of Japan. In 1978 the major studio Nikkatsu re-made his 8mm jishu (self-produced) film KôkôDai-Panikku (Panic at High School, 1976). In 1982, Ishii joined the newly formed Director's Company, an attempt by eight directors from all sections of the film world including the studio system, Pink Film, and jishu-film that aimed to tip the power balance within the rapidly changing industry towards the director. In 1992 Ishii teamed up with producer Takenori Sento of the satellite broadcaster Wowow to change the way films in Japan were financed and distributed. This paper analyzes the textual and extra-textual aesthetic properties that made Ishii compatible with the film industry at different transitional points since the 1970s.

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