다큐멘터리 <개의 역사>에 나타난 결정체-이미지: 견자의 영화와 듣기의 영화 (Crystal-image in the Documentary Film : A Cinema of the Seer and A Cinema of the Listen)

서지정보

· 발행기관 : 문학과영상학회
· 수록지 정보 : 문학과 영상 / 23권 / 1호 / 31 ~ 54페이지
· 저자명 : 명소희, 김형래

초록

This paper intends to analyze the documentary film <Baek-gu>, directed by KIM Bo-ram, as a ‘cystal-image’ that appears in Gilles Deleuze’s ‘Cinema II: The Time-image’. <Baek-gu> is documentary, showing ‘existence’, ‘memory’, and ‘space/place’ through the live of stray dogs and women. This film begins with the death of Baek-gu, who wandered the neighborhood. Baek-gu’s past times are connected with the lives of countless beings. And the end of the film, Baek-gu and the director’s life are connected. The audience has an opportunity to think about their past while looking at the lives of the main characters in the film <Baek-gu>. So this filme is a cinema of the seer. Furthermore, it is a ‘cinema of the listen’ that allows people to listen not only to their own lives but also the live of others. This paper analyzes the images of clairvoyant and listening in <Baek-cu> as Gilles Deleuze’s crystal-image. Gilles Deleuze called the image that appears when the actual image and the virtual image coalesce and crystallize as a ‘crystal-image’. The crystal-image is the first image of the time-image, and consists of three types : mirror-image, transparent and opaque, and seed and environment. In particular, this paper analyzes the actual image as the image to be seen and the virtual image as the image to be heard, and tries to interpret the crystal-image as the clairvoyant cinema and the listen cinema. Through this, ultimately, we intend to explore the possibility of alternative representation in which the crystal-image gives the audience the experience of ’I am the other’.

영어초록

This paper intends to analyze the documentary film <Baek-gu>, directed by KIM Bo-ram, as a ‘cystal-image’ that appears in Gilles Deleuze’s ‘Cinema II: The Time-image’. <Baek-gu> is documentary, showing ‘existence’, ‘memory’, and ‘space/place’ through the live of stray dogs and women. This film begins with the death of Baek-gu, who wandered the neighborhood. Baek-gu’s past times are connected with the lives of countless beings. And the end of the film, Baek-gu and the director’s life are connected. The audience has an opportunity to think about their past while looking at the lives of the main characters in the film <Baek-gu>. So this filme is a cinema of the seer. Furthermore, it is a ‘cinema of the listen’ that allows people to listen not only to their own lives but also the live of others. This paper analyzes the images of clairvoyant and listening in <Baek-cu> as Gilles Deleuze’s crystal-image. Gilles Deleuze called the image that appears when the actual image and the virtual image coalesce and crystallize as a ‘crystal-image’. The crystal-image is the first image of the time-image, and consists of three types : mirror-image, transparent and opaque, and seed and environment. In particular, this paper analyzes the actual image as the image to be seen and the virtual image as the image to be heard, and tries to interpret the crystal-image as the clairvoyant cinema and the listen cinema. Through this, ultimately, we intend to explore the possibility of alternative representation in which the crystal-image gives the audience the experience of ’I am the other’.

참고자료

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