김조규 기행시에 나타난 디아스포라 여성들의 변모양상 고찰 (Study on the transformation trend of diaspora women appeared in Kim Joh Kyu’s travel poem.)

서지정보

· 발행기관 : 한국비평문학회
· 수록지 정보 : 비평문학 / 31호 / 235 ~ 256페이지
· 저자명 : 윤향기, 이지엽

초록

This paper is to look into the transformation of the diaspora, women, the social environment when Korean-Manchurians were drifting around after losing their home country, and the true nature of Korean-Manchurian’s literature, via the tragic diaspora women’s heterogeneous text and diaspora’s writtings. For this, this paper analyzed 49 poems written between 1939 and 1944 including the travel poem in 『Kim Joh Kyu’s poem collection』 and <Biography of a boy P>. As a Manchurian diaspora who has not been spotlighted until now, Kim Joh Kye pioneered a new territory of modern poem. He focuses on agony of an elite who realizes and experiences Manchura’s violence and introspect and transcend it. In particular, He reforms  the tragic women depressed by historical prejudice into a colonial diasporatical human and maximizes it as self introspecting factors via focusing on 1) from innocent ideality or a girl, a longing for home country before getting polluted 2) from suffering youth or lady, wound of the lost home country 3) from missing woman or mother, an irresistible yearning 4) from disappeared home country or grand mother, the cruel reality of the home country. Through this text, he is able to show that the history, fiction, image, and language of diaspora are all crossing each other. Most of his travel poem witnesses the lost and disappeared home country and the reality in which he has to shout loud hugging a different country land on behalf of the women. In the early stage of his literature, the titles for ‘sister’ of a girl, a woman, a lady, Natatia, and so on show recognition of realistic contradiction. However, in his later Mantura travel poem, these titles changes to Anna, a prostitute, Hanako, Miss Chosun, Etranger’s woman, mother, and grand mother. These names of diaspora women are nothing but reflection of the sad collapse of their home country. Based on those analysis, this paper pays attention to the fact that the awareness shown up through Kim Joh Kyu’s literature specifically delivered an original research on diaspora races and Korean-Manturians’ routine lives as a particular lost emotion which couldn’t connect to the times. This is a poetic self so called an inner man’s anima that is corresponding to history by learning human’s lives and recognizing the time era via literatures, and also recognized as a historical subject which is expressed by his unconscious feminine factors.

영어초록

This paper is to look into the transformation of the diaspora, women, the social environment when Korean-Manchurians were drifting around after losing their home country, and the true nature of Korean-Manchurian’s literature, via the tragic diaspora women’s heterogeneous text and diaspora’s writtings. For this, this paper analyzed 49 poems written between 1939 and 1944 including the travel poem in 『Kim Joh Kyu’s poem collection』 and <Biography of a boy P>. As a Manchurian diaspora who has not been spotlighted until now, Kim Joh Kye pioneered a new territory of modern poem. He focuses on agony of an elite who realizes and experiences Manchura’s violence and introspect and transcend it. In particular, He reforms  the tragic women depressed by historical prejudice into a colonial diasporatical human and maximizes it as self introspecting factors via focusing on 1) from innocent ideality or a girl, a longing for home country before getting polluted 2) from suffering youth or lady, wound of the lost home country 3) from missing woman or mother, an irresistible yearning 4) from disappeared home country or grand mother, the cruel reality of the home country. Through this text, he is able to show that the history, fiction, image, and language of diaspora are all crossing each other. Most of his travel poem witnesses the lost and disappeared home country and the reality in which he has to shout loud hugging a different country land on behalf of the women. In the early stage of his literature, the titles for ‘sister’ of a girl, a woman, a lady, Natatia, and so on show recognition of realistic contradiction. However, in his later Mantura travel poem, these titles changes to Anna, a prostitute, Hanako, Miss Chosun, Etranger’s woman, mother, and grand mother. These names of diaspora women are nothing but reflection of the sad collapse of their home country. Based on those analysis, this paper pays attention to the fact that the awareness shown up through Kim Joh Kyu’s literature specifically delivered an original research on diaspora races and Korean-Manturians’ routine lives as a particular lost emotion which couldn’t connect to the times. This is a poetic self so called an inner man’s anima that is corresponding to history by learning human’s lives and recognizing the time era via literatures, and also recognized as a historical subject which is expressed by his unconscious feminine factors.

참고자료

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