소설의 영화로의 매체전이에 따른 불확정성 영역에 관한 고찰 －박범신의 소설 <은교, 2010>와 정지우의 영화 <은교, 2012>를 텍스트로 하여－ (Contemplating the Area of Indeterminancy that Results from Medien-transformation of Movie from Novel)

서지정보

· 발행기관 : 한국영화학회
· 수록지 정보 : 영화연구 / 57호 / 387 ~ 419페이지
· 저자명 : 최배석

초록

Embracing all the work of art, the most significant concepts are interpretation and the assessment of the value. A purpose of interpretation is to discover the meaning. Interpretation of plural and skeptical stance is characterized by uncertainty and indeterminacy. These characteristics recognize various significations and by emphasizing recipient’s active role, these characteristics enable readers to complete the work, which demonstrates a value of open beauty.
Both novel and movie are characterized by description. However, novel and movie are different in the way each work has its own material and method of expression. Novel, which utilizes a written language, is newly proposed to the audience by collision and fusion with movie director’s subjective interpretation and a movie’s unique materialistic characters.
This process creates another range of indeterminancy.
In the movie, by considering a producer’s side as an audience, uncertainty is accepted as a part that completes meaning. Anti-illusionist authors, who tried to give audiences a space they can create and own by themselves,attempted various cinematic techniques and this is a reaction to the classic movie’s nature of regarding audience as unilateral recipient. Their consistent goal is securing uncertain space, which is a domain of indeterminancy.
Moreover, movie and novel’s depiction of the story is differentiated by the substantial and medium gap. This causes method of organization and format difference. As a result, recipients’another embracing mechanism is required.
As a multi-channel’s concretion of information, movie is a medium,which has a large possibility of creating unintended meaning, and gives a rise to domain that allows interpretation and make of meaning regardless of producer’s intention.
From the process of dramatizing a novel, expansion and the reduction of the episode are likely to occur. Therefore, movie inevitably generates uncertain element. Furthermore, in accordance with the conversion of point, double depiction, which is consist of an image and a language,within-run precision, and a montage, unique aesthetic space, which can only be created and completed by the audience, is reproduced.
Unlike novel, which is a thought medium, movie is a perceived medium, which mainly utilizes reflection image. From the technical aspect of camera or image or auditive material such as music, narrative and aesthetic languages are generated. These languages afford new creative space.
Just as a filming of novel produces uncertain domain, which enables audience to experience beauty that cannot be found in novel, so too does it demonstrate that movie is a valuable element that leads into highdimensional art.

영어초록

Embracing all the work of art, the most significant concepts are interpretation and the assessment of the value. A purpose of interpretation is to discover the meaning. Interpretation of plural and skeptical stance is characterized by uncertainty and indeterminacy. These characteristics recognize various significations and by emphasizing recipient’s active role, these characteristics enable readers to complete the work, which demonstrates a value of open beauty.
Both novel and movie are characterized by description. However, novel and movie are different in the way each work has its own material and method of expression. Novel, which utilizes a written language, is newly proposed to the audience by collision and fusion with movie director’s subjective interpretation and a movie’s unique materialistic characters.
This process creates another range of indeterminancy.
In the movie, by considering a producer’s side as an audience, uncertainty is accepted as a part that completes meaning. Anti-illusionist authors, who tried to give audiences a space they can create and own by themselves,attempted various cinematic techniques and this is a reaction to the classic movie’s nature of regarding audience as unilateral recipient. Their consistent goal is securing uncertain space, which is a domain of indeterminancy.
Moreover, movie and novel’s depiction of the story is differentiated by the substantial and medium gap. This causes method of organization and format difference. As a result, recipients’another embracing mechanism is required.
As a multi-channel’s concretion of information, movie is a medium,which has a large possibility of creating unintended meaning, and gives a rise to domain that allows interpretation and make of meaning regardless of producer’s intention.
From the process of dramatizing a novel, expansion and the reduction of the episode are likely to occur. Therefore, movie inevitably generates uncertain element. Furthermore, in accordance with the conversion of point, double depiction, which is consist of an image and a language,within-run precision, and a montage, unique aesthetic space, which can only be created and completed by the audience, is reproduced.
Unlike novel, which is a thought medium, movie is a perceived medium, which mainly utilizes reflection image. From the technical aspect of camera or image or auditive material such as music, narrative and aesthetic languages are generated. These languages afford new creative space.
Just as a filming of novel produces uncertain domain, which enables audience to experience beauty that cannot be found in novel, so too does it demonstrate that movie is a valuable element that leads into highdimensional art.

참고자료

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