재일제주인 시 연구 (A study of poem of Che-Ju people in Japan)

서지정보

· 발행기관 : 한국문학이론과비평학회
· 수록지 정보 : 한국문학이론과 비평 / 13권 / 4호 / 99 ~ 120페이지
· 저자명 : 최종환

초록

This study explores into the poem of ‘Che-Ju people in Japan’ under the theme of 4․3. On that score, the subject of this study is Korean poetic literature written by Che-Ju poets in Japan. By and large, their works are prone to susceptibility mingled with irresistible yearning for Che-Ju island and with trauma involved in 4.3 in the concrete. In this context, their poetic works reveal the narrative of the paradise of childhood days and the execration against imperialists at once, because their lives in the island came to ruin miserably by Lee Seung Man and the allied forces of U.S.. And therefore their works were servile to the ideology of Democratic People´s Republic of Korea or Munyedong called as embassy and legations abroad of it. Nonetheless, their works don't run to go off the deep end into North Korea or munyedong's discourse on account of self-consciousness of Che-Ju people. First and foremost, They showed their anger, grief and the possibility of communist revolution by the symbol of 'volcanic fire'. In addition, the symbol of 'Hallasan' gave vent to the intense aspirations for unification of North and South Korea in their poem.

영어초록

This study explores into the poem of ‘Che-Ju people in Japan’ under the theme of 4․3. On that score, the subject of this study is Korean poetic literature written by Che-Ju poets in Japan. By and large, their works are prone to susceptibility mingled with irresistible yearning for Che-Ju island and with trauma involved in 4.3 in the concrete. In this context, their poetic works reveal the narrative of the paradise of childhood days and the execration against imperialists at once, because their lives in the island came to ruin miserably by Lee Seung Man and the allied forces of U.S.. And therefore their works were servile to the ideology of Democratic People´s Republic of Korea or Munyedong called as embassy and legations abroad of it. Nonetheless, their works don't run to go off the deep end into North Korea or munyedong's discourse on account of self-consciousness of Che-Ju people. First and foremost, They showed their anger, grief and the possibility of communist revolution by the symbol of 'volcanic fire'. In addition, the symbol of 'Hallasan' gave vent to the intense aspirations for unification of North and South Korea in their poem.

참고자료

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