작품 『금각사』에 대한 고찰 (A Study on “Kinkakuji” by Yukio Mishima)

서지정보

· 발행기관 : 일본어문학회
· 수록지 정보 : 일본어문학 / 75호 / 317 ~ 340페이지
· 저자명 : 장홍규

초록

作品『金閣寺』について多くの研究がなされてきた。従来から「金閣」を放火するという側面から大きく二つに分けられているようである。一つは、絶対的な存在である金閣との一体化の自覚を回復しようとするものと解釈する説と、又もう一つは、自身の内部に存在する絶対性を解消して相対的な生の姿として生きていこうとする説として読み解く研究である。本稿では、そうした二つの説による研究を踏まえながら角度を少し変えて考察を試みた。三島は文学の出発から肉体を伴わない認識の世界に永らく止まり、現実との乖離から来る疎外感に常に晒されていた。作品『金閣寺』を通して、現実的疎外感と行為による肉体的現実感の葛藤を金閣という美の倫理に転化させ、芸術的文学作品の内的手がかりを得てどうように収斂に向かうのかに焦点を当てて論を展開してみた。全部で四つに分かれている。初めの導入部、次に疎外の関係性、三番目は金閣の美と一体化の渇望、そして最後に放火そして再生の生,とした論を試みることにした。

영어초록

The novel “Kinkakuji” has been examined extensively in pastworks. Two main studies have focused on the aspect of setting fire to “Kinkaku.” One line of research is to read the literary work in terms of the recovery of the sense of unification with “Kinkaku.” The other line of research is to understand the novel with the view that the protagonist wishes to return to his own way of a relative life by dissolving the absoluteness of “Kinkaku” existent within the author himself. This paper aims to take a different angle toward such two streams of previous studies. For a long time, Mishima had remained in the world of perception which does not accompany a human body from the beginning of his literary career. While he was preoccupied with such a perceptual world, he was always exposed to a sense of alienation from the real world. The present study explores how the author transforms the conflict between the realistic estrangement and the physical actuality caused by conduct into the aesthetic morality, and how he obtains such an internal clue to the aesthetic piece of literature and integrates it into his work. This article is divided into four parts, organized as follows: the first part constitutes an introduction, the second part concerns the relationship of alienation, the third part discusses the beauty of “Kinkaku” and a yearning for a unity with it, and the fourth part finally provides the analysis of ‘setting fire and the life of rebirth.’

참고자료

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