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이야기꾼 유형(類型)의 사례 고찰-산촌형 이야기꾼 閔玉順 (Types of Korean Storytellers:A case for MinOksoonasa Mountain Village Storyteller)

42 페이지
기타파일
최초등록일 2025.05.05 최종저작일 2008.06
42P 미리보기
이야기꾼 유형(類型)의 사례 고찰-산촌형 이야기꾼 閔玉順
  • 미리보기

    서지정보

    · 발행기관 : 충남대학교 충청문화연구소
    · 수록지 정보 : 충청문화연구 / 1호 / 61 ~ 102페이지
    · 저자명 : 황인덕

    초록

    Storytelling ability consists of two factors: the innate and the acquired. Innate factors include having an excellent memory, something which most storytellers possess. Acquired factors, however, may differ depending on each storyteller; these factors lead to differences between individual storytellers. As such, an acquired factor for Min Oksoon, as a storyteller, is her experience living in an agricultural mountain village community. This background has characterized her life, experiences, and storytelling.
    She inherited her storytelling destiny from her father. The mountain village where she was born and raised was almost totally disconnected from the outside world. Due to its remoteness, there were few sources of entertainment or leisure activities. In this situation, her father was the storyteller of his village; the only place to find entertainment was in his living room. People gathered to listen to him tell stories, and his living room played an important role in community entertainment and culture.
    It can be said that Min Oksoon is a representative storyteller of an agricultural mountain village community. When we talk about Min Oksoon as a storyteller, it is necessary to consider her life before and after her marriage. Her life had not changed much before she married, and even after she moved to a small town; she lived in isolated mountain village communities. However, her life began to change as a storyteller after she had become wholly familiar with agricultural communities and storytelling itself. She became known as a 'storyteller' after her marriage.
    Most of the stories that she told before marriage were based on her mountain village background and on stories she had heard from her father during her childhood. However, the stories after that time were about 'small town communities'. As such, they had less connection with the narrow scope of authentic mountain village storytelling. The tr aditional factors of her stories were of minimal importance for her.
    When it comes to the traditional connections of Min Oksoon, it is necessary to consider her personal life background, Korean society, and farm villages in the 20th century. Her status as a mountain village storyteller was limited by the generation she belonged to: she had less traditional connections than the older generations. She did not receive any influences from her grandparents during her childhood, and her father had only moved to a mountain village in the middle of his life.
    What makes Min Oksoon a distinctive storyteller is that she manifests the reading culture of the 1940's and 1950's. The commercial publication of old novels was very active and the novels were distributed in medium sized cities through the village markets held every five days in the 1920's and 1930's. Min Oksoon's father’s generation was influenced by this reading culture, and she was raised under this influence both directly and indirectly. Thus, a number of her storytelling lists include not only old materials orally inherited from the generation before her father, but also what her father and she herself had read.

    영어초록

    Storytelling ability consists of two factors: the innate and the acquired. Innate factors include having an excellent memory, something which most storytellers possess. Acquired factors, however, may differ depending on each storyteller; these factors lead to differences between individual storytellers. As such, an acquired factor for Min Oksoon, as a storyteller, is her experience living in an agricultural mountain village community. This background has characterized her life, experiences, and storytelling.
    She inherited her storytelling destiny from her father. The mountain village where she was born and raised was almost totally disconnected from the outside world. Due to its remoteness, there were few sources of entertainment or leisure activities. In this situation, her father was the storyteller of his village; the only place to find entertainment was in his living room. People gathered to listen to him tell stories, and his living room played an important role in community entertainment and culture.
    It can be said that Min Oksoon is a representative storyteller of an agricultural mountain village community. When we talk about Min Oksoon as a storyteller, it is necessary to consider her life before and after her marriage. Her life had not changed much before she married, and even after she moved to a small town; she lived in isolated mountain village communities. However, her life began to change as a storyteller after she had become wholly familiar with agricultural communities and storytelling itself. She became known as a 'storyteller' after her marriage.
    Most of the stories that she told before marriage were based on her mountain village background and on stories she had heard from her father during her childhood. However, the stories after that time were about 'small town communities'. As such, they had less connection with the narrow scope of authentic mountain village storytelling. The tr aditional factors of her stories were of minimal importance for her.
    When it comes to the traditional connections of Min Oksoon, it is necessary to consider her personal life background, Korean society, and farm villages in the 20th century. Her status as a mountain village storyteller was limited by the generation she belonged to: she had less traditional connections than the older generations. She did not receive any influences from her grandparents during her childhood, and her father had only moved to a mountain village in the middle of his life.
    What makes Min Oksoon a distinctive storyteller is that she manifests the reading culture of the 1940's and 1950's. The commercial publication of old novels was very active and the novels were distributed in medium sized cities through the village markets held every five days in the 1920's and 1930's. Min Oksoon's father’s generation was influenced by this reading culture, and she was raised under this influence both directly and indirectly. Thus, a number of her storytelling lists include not only old materials orally inherited from the generation before her father, but also what her father and she herself had read.

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