쉬쿤의 단편소설 「주방」과 「사랑을 만나다」 비교 연구 (Comparative Study of Xu Kun’s Short Story and )

서지정보

· 발행기관 : 중국문화연구학회
· 수록지 정보 : 중국문화연구 / 44호 / 49 ~ 66페이지
· 저자명 : 노승숙

초록

쉬쿤은 90년대 중국 당대 문학에서 가장 주목받았던 신인 작가 중 하나이다. 본 논문은 쉬쿤의 단편 소설인 <주방>과 <사랑을 만나다>의 비교 분석을 통해서 90년대에 새롭게 등장한 지식여성집단에 대한 연구를 진행하였다. 본문은 '주방으로의 회귀','관계지향의 모순','비즈니스와 사랑','90년대와 지식여성'이라는 네 개의 장으로 구성되었다.
<주방>의 여주인공 즈즈는 지식 여성이었으며 경제력도 겸비한 성공한 사회인이었으므로 전통적인 여성들과 오사(五四)시기의 신여성과도 다르며, 여성적인 아름다움을 지닌 즈즈는 여성미를 상실하고 남성화되었던 문화대혁명시대의 여성들과는 거의 대척점에 있다고 할 수 있다. 즈즈는 1990년대 중국사회의 대도시라는 문화 환경 속에서 성장한 새로운 여성 집단의 상징이라고 할 수 있다.

영어초록

Xu Kun is one of the most prominent new writers of the 90s in Chinese contemporary literature. Since the start of her literature work in 1993, she has created a work that focuses on the survival of intellectual class with a dual identity of scholars and writers. <Zao Yu Ai Qing> take the male character as the main character, describes male-female relationships that are dominated by money in a commercialized Chinese society. She was generally regarded as a scholarly writer, but her short story the <Chu Fang>, created in 1997, is evaluated as a work by a pure feminist writer.
Chinese society has been in the 90s, with the development of market economy, the position of intellectuals has been pushed to the periphery of society. Of course, female literature has been pushed around more. This paper is based on the concept of 90s, which is a specific time frame set of space, would like to study how the economic development of China has affected the gender identity of women and men.
In this paper, a comparative study of <Chu Fang> and <Zao Yu Ai Qing> was carried out in four parts, in the first chapter, discussed the return of knowledge women to the kitchen. A woman who refuses the kitchen returns to the kitchen for love but eventually is rejected by the men she loves. Through the study of Chapter 2, we can see that the success of women has a contradictory relation with the gender identity of women. In the third chapter, analyzed the relationship between business and true love for divorced middle-age women. In the last chapter, learned about a new group of women who emerged as the background of Chinese society in the 90′s.

참고자료

· 없음