식민지대만에서의 일본전통예능 공연 -1913년 이치무라 우자에몬의 가부키공연을 중심으로- (Kabuki performances in Colonial Taiwan: A focus on Ichimura Uzaemon’s performance in 1913)

서지정보

· 발행기관 : 한국일어일문학회
· 수록지 정보 : 일어일문학연구 / 101권 / 2호 / 151 ~ 172페이지
· 저자명 : 한경자

초록

本論文は1913年に植民地台湾で行われた歌舞伎公演について、その実態と背景、そして目的について考察を行うことで、帝国日本の文化を通じた植民地支配の一面を明らかにしようとするものである。 戦前、海外における歌舞伎公演はあまり行われることがなかった。特に大歌舞伎としては、1938年の市川左団次のロシア公演が唯一であるとされてきた。しかし帝国日本の勢力下にあった植民地台湾、朝鮮、満州地域では、１５代市村羽左衛門による歌舞伎公演が行われていた。台湾では1913年、朝鮮・満州地域では1935年のことであった。 羽左衛門の植民地朝鮮と満州における公演は、内地人向けの娯楽の提供や慰問、または興業会社の営利上の目的により行われていた。しかし、台湾における歌舞伎公演は、その目的が異なっていた。企画者である高松豊治郎は、名俳優である羽左衛門の台湾公演を通じて、日本内での台湾への印象を好転させ、日本と台湾の隔意をなくし、親善を図ることを目的としていた。日本伝統芸能の外地公演は、円滑な植民地支配のための手段として利用されていたのである。

영어초록

The aim of this research paper is to identify the aspects of the cultural mechanism of colonialism employed by the Empire of Japan to dominate its colonies by contemplating the actual background of and purpose for holding Kabuki performances in colonial Taiwan in 1913.
During the pre-war period, it was rare for Kabuki theatre troupes to perform in othercountries. The so called 'Okabuki', a Kabuki performance where first-class Kabuki actors appeared, was unheard of, except for Ichikawa Sadanji's performance in Russia in 1938. However, Ichimura Uzaemon's Kabuki performances were held in colonial Taiwan, colonial Korea, and the Manchuria regions under the power of the Empire of Japan. The performances in colonial Korea and the Manchuria regions happened in 1935; however, in colonial Taiwan, they were held in 1913.
While the Kabuki performances by Uzaemon in colonial Korea and Manchuria were meant to provide entertainment and comfort to the Japanese citizens in the colonial regions as well as to serve as part of the commercial strategies of entertainment companies, the nature of the Kabuki performances in colonial Taiwan was different. The intention of Takamatsu Toyojiro, the promoter of the performances, was to break cultural barriers and to further promote friendly relations between colonial Taiwan and the Empire of Japan by improving impressions of Japan in colonial Taiwan through performances by the noted, well-liked, and famous actor, Uzaemon. Foreign tours of traditional Japanese theatre troupes were used to facilitate the smooth functioning of the mechanism of colonialism for the domination of the Empire of Japan over its colonies.

참고자료

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