노(能)에 그려진 노녀들의 삶과 죽음 - 『桧垣』『姨捨』분석을 중심으로 - (The Life and Death of Old Women in Noh)

서지정보

· 발행기관 : 고려대학교 글로벌일본연구원
· 수록지 정보 : 일본연구 / 22호 / 111 ~ 130페이지
· 저자명 : 김충영

초록

老女が主人公になっている夢幻能には、 檜垣 と 姨捨 の二つの作品がある。本稿 は、この二作の主人公の老女に分析の焦点をあて、詞章の中に描かれている彼女たちの 生と死について考えてみようとしたものである。 檜垣 の老女の場合、地獄で業火の苦 しみを激しく受けていながらも、この世での晩年に咲かせたある出来事を忘れることが できず、それへの最たる執心を向けており、まさに死の世界の苦痛をも乗り越えた強い 執着心を見せていると言える。次に 姨捨 の老女の場合は、 檜垣 の老女のような激し い執心は見えないものの、死と孤独の恐怖を乗り越えて月下の浄土幻想へ執着し、姨捨 山の上に八月十五夜の月が出る度ごとに出現して来ることを放棄しようとしない。いず れの老女の場合も死の世界からの恐怖を乗り越えており、その姿を通して生への強い愛 着のメッセージを観客たちに伝えているようで興味深い。

영어초록

There are two works in Mugen-noh in which the heroine is an old woman: "Higaki" and "Obasute". This paper analyzes the elderly female heroine in the two works, and attempts to reflect on her life and death. In the case of the old woman in "Higaki," it is impossible, even though they suffered violently in the fires of Hell, to forget certain events that bloom in the twilight of life in this world. It can be said that she is facing a prime devotion to this certain event, and is showing a strong obsession that has overcome even the pain of death. Next, in the case of the old woman in "Obasute," she does not appear to have a violent obsession, such as the old woman of "Higaki," but is obsessed with the Pure Land fantasy. To overcome the fear of loneliness and death, she never failed to appear every time the August full moon shone. The content of their obsessions is slightly different, but the old woman who appeared in both works each have to overcome the fear of death. They can be said through the appearance of such, and communicate to the audience the message of strong attachment to life.

참고자료

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