피에르와 질(Pierre et Gilles) 사진에 재현된 신화적 요소- 롤랑 바르트의 기호학과 산해경(山海經)을 통한 의미 분석 - (Mythological Factors Revived in the Photographs of Pierre et Gilles- An analysis of meaning through Roland Barthes Semiotics and Sanhaegyeong)

서지정보

· 발행기관 : 한국사진학회
· 수록지 정보 : AURA / 18호 / 62 ~ 72페이지
· 저자명 : 정동환

초록

The semantic creation model extracted from Roland Barthes was utilized as a device for
identifying the creation of denotative meaning and connotative meaning in each
significant(visual factors and mythological factors) comprising the work, and the meaning
extended to mythology, as well as the structure of interpretation.
In the analysis of the work, the study reviewed the process of the expression of the intended
final meaning of the work by applying the previously reviewed concept of semiotics, extract
model, and classification type and substituting the stage of the expression type of photographs
and the creation of meaning with the Oriental mythology, called Sanhaegyeong, and revealed
the techniques of persuasive strategies. Also, models in Pierre et Gilles have a visual feature of
a post-modernist trend. The mutual text toward the main consciousness of the works and the
connectivity with narrative leads to pastish about the physiognomic pattern factors of models
as they are.
The features of deconstruction shown in the works are also connected to the vision of models.
The deconstruction of the metaphysical dichotomous composition of good and evil expresses the
model of a reactionary character that has a firm self-belief, not as a physiognomic type of an
evil man in confronting an ideological relationship with a hero or heroine.
Today, rational thinking has generated and advanced materialistic civilization. However, along
with civilization, it has exalted the sense of anxiety in the existence of man, such as through
the destruction of nature, environmental pollution, ideology, and uncertainty, and has
accelerated the skepticism of an identity. This phenomenon resurrects voluntarily as a story
living with nature, animals, and plants, and a story for mutual existence through the existence
of ‘mythology’just like the existence of ‘mythology’that was hidden in our consciousness
starts to move again by returning to the starting point after it gets lost. Likewise,
Sanhaegyeong is highly related to the works of Pierre et Gilles. Before judging whether it is
accidental or inevitable, it would be dependent on us if Sanhaegyeong will be treated merely as
a rare book or its true value will shine according to how we utilize a remarkable book like
Sanhaegyeong.

영어초록

The semantic creation model extracted from Roland Barthes was utilized as a device for
identifying the creation of denotative meaning and connotative meaning in each
significant(visual factors and mythological factors) comprising the work, and the meaning
extended to mythology, as well as the structure of interpretation.
In the analysis of the work, the study reviewed the process of the expression of the intended
final meaning of the work by applying the previously reviewed concept of semiotics, extract
model, and classification type and substituting the stage of the expression type of photographs
and the creation of meaning with the Oriental mythology, called Sanhaegyeong, and revealed
the techniques of persuasive strategies. Also, models in Pierre et Gilles have a visual feature of
a post-modernist trend. The mutual text toward the main consciousness of the works and the
connectivity with narrative leads to pastish about the physiognomic pattern factors of models
as they are.
The features of deconstruction shown in the works are also connected to the vision of models.
The deconstruction of the metaphysical dichotomous composition of good and evil expresses the
model of a reactionary character that has a firm self-belief, not as a physiognomic type of an
evil man in confronting an ideological relationship with a hero or heroine.
Today, rational thinking has generated and advanced materialistic civilization. However, along
with civilization, it has exalted the sense of anxiety in the existence of man, such as through
the destruction of nature, environmental pollution, ideology, and uncertainty, and has
accelerated the skepticism of an identity. This phenomenon resurrects voluntarily as a story
living with nature, animals, and plants, and a story for mutual existence through the existence
of ‘mythology’just like the existence of ‘mythology’that was hidden in our consciousness
starts to move again by returning to the starting point after it gets lost. Likewise,
Sanhaegyeong is highly related to the works of Pierre et Gilles. Before judging whether it is
accidental or inevitable, it would be dependent on us if Sanhaegyeong will be treated merely as
a rare book or its true value will shine according to how we utilize a remarkable book like
Sanhaegyeong.

참고자료

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