가레산스이(枯山水) 정원의 대경(對景), 인경(引景), 누경(漏景), 차경(借景)시점을 통한 뮤지엄의 전시공간 연출에 관한 재해석의 가능성 (Possibility of reinterpretation of the museum’s exhibition space through the four view of Karesansui garden)

서지정보

· 발행기관 : 대한전시디자인학회
· 수록지 정보 : 전시디자인연구 / 21권 / 1호 / 27 ~ 35페이지
· 저자명 : 오선애

초록

동서양의문화교류가활성화되면서상호간의영향을미치고새로운경향을일으키는가운데일본전통정원은전 세계적으로 400여개 이상 조성되고 있으며 전통 정원즉, 가레산스이(枯山水)에 대한 관심이 증가하여 문화 관광측면에서일본정원답사및국제적교류도활발하게이루어지고있다.자연의본질을인공적으로질서있게만들어철학,종교적인정원의구성과형식을구체화하여시각적순수미를재현하여현대적건축,정원,예술등에창의적 영감의 보고(寶庫)가 되고 있다. 이와 동일한 맥락에서뮤지엄전시물에관하여시각적표출하는과정을살펴보면핵심정보의축약,함축등을기반으로전시방법을통해축소및상징화하여전시공간에재현되기때문에가레산스이(枯山水) 정원의 대경(對景), 인경(引景), 누경(漏 景), 차경(借景) 등 시점에서 해석의 가능성을 고찰함으로서본연구의한정적범주내에서전시공간연출에관하여새로운시각에서고찰을제안해볼수있다.

영어초록

As cultural exchanges between East and West become more active, influencing each other and creating new trends, more than 400 traditional Japanese gardens are being created around the world, and interest in traditional gardens, or karesansui, is increasing, making it an attractive place for cultural tourism. Field trips to Japanese gardens and international exchanges are also actively taking place. By artificially ordering the essence of nature and concretizing the composition and form of philosophical and religious gardens, it reproduces pure visual beauty, becoming a treasure trove of creative inspiration for modern architecture, gardens, and art. In the same context, 28 if we look at the process of visual expression of museum exhibits, we can see that key information is reduced and symbolized through exhibition media based on abbreviation and implication, and is reproduced in the exhibition space, so that the large view, human landscape, and scenery of Karesansui Garden are displayed. By considering the possibility of interpretation from the perspective of the dae-gyeong view and the in-gyeong view, nu-gyeong and cha-gyeong, it is possible to propose consideration from a new perspective on the production of exhibition space within the limited scope of this study.

참고자료

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