재일한민족문학의 이야기가치와 문화콘텐츠적 활용양상 연구 －가네시로 가즈키의 소설「GO」를 중심으로 (A Study on the Story Value and Applied Appearance as a Culture Contents of Korean- Japanese’s Literature －Focused on Kaneshiro Kazuki’s Fiction, Go)

서지정보

· 발행기관 : 한국문예창작학회
· 수록지 정보 : 한국문예창작 / 8권 / 2호 / 281 ~ 306페이지
· 저자명 : 최수웅

초록

Until recently, literal works written by Korean-Japanese have been
regarded ‘non-mainstream’or ‘frontier’in both Korea and Japan.
However, with arrival of multi-cultural society and rising of the
concepts such as ‘creole’and ‘diaspora,’the society began paying
attention to Korean-Japanese as ‘important minority.’Thus, the
importance of their literal works has been emphasized as well.
In particular, as cultural interaction between Korea and Japan
became more active, the literature by Korean-Japanese, which are
mostly stories common in both countries, has been spotlighted as
original sources for various cultural contents. In this study, the
usability of Korean-Japanese literature was examine as cultural
contents by analyzing a movie and a manga based on the novel called
GO which was written by Kaneshiro Kazuki, who boasts the widest
readership among other Korean-Japanese writers.
The following is three major characteristics of the novel.
The first, characteristic is its universal narrative structure. If the
former Korean-Japanese literature were mostly about problems as a
group such as ethnicity or ideology, GO has a more universal theme.
It is about a problematic individual’s search for his identity.
The second, characteristic is an interaction of sensibility through
cultural art. The cultural art is common language among human
beings which overcomes nationality or lineage. In this novel,
characters communicate with its readers through sympathy toward
cultural art, and this set-up therefore has its meaning. This also
distinguishes the novel from other similar literal works which are
mainly based on more rational ideas such as argumentation and
accusation.
The third, characteristic is a subjective consciousness awakened
through daily life. A theme of this novel is discrimination against
Korean-Japanese and how to deal with it. This theme itself is not
original. However, this novel is original as it presents this theme
through daily life such as love relationship.
The novel GO has been adapted to two different cultural contents.
One is a movie directed by Yukisada Isao in 2001 and the other is a
manga by Yoshifumi Kondou in 2002. Even though both of them
adapted the same story, their achievement turned out to be totally
different.
The movie version of GO successfully delivered the characteristics
of its original novel. In particular, it keeps a balance between its
universality and subjective consciousness. Its use of close relationship
with cultural content is also appropriate. In order to emphasize these
characteristics of the original novel, this movie was made to have a
strong sense of teenager movie and this succeeded in gaining
favorable response from general public.
On the other hand, the manga version of the same novel was created
to have characteristics of school drama. This kind of manga is often a
love story between a scrappy boy and a model student. The manga
version of GO is no exception. However, this manga failed to deliver
the characteristics of the original novel as it attached too much to the
grammar of its genre such as rebel and confrontation. As a result, it
was unable to gain attention from readers.

영어초록

Until recently, literal works written by Korean-Japanese have been
regarded ‘non-mainstream’or ‘frontier’in both Korea and Japan.
However, with arrival of multi-cultural society and rising of the
concepts such as ‘creole’and ‘diaspora,’the society began paying
attention to Korean-Japanese as ‘important minority.’Thus, the
importance of their literal works has been emphasized as well.
In particular, as cultural interaction between Korea and Japan
became more active, the literature by Korean-Japanese, which are
mostly stories common in both countries, has been spotlighted as
original sources for various cultural contents. In this study, the
usability of Korean-Japanese literature was examine as cultural
contents by analyzing a movie and a manga based on the novel called
GO which was written by Kaneshiro Kazuki, who boasts the widest
readership among other Korean-Japanese writers.
The following is three major characteristics of the novel.
The first, characteristic is its universal narrative structure. If the
former Korean-Japanese literature were mostly about problems as a
group such as ethnicity or ideology, GO has a more universal theme.
It is about a problematic individual’s search for his identity.
The second, characteristic is an interaction of sensibility through
cultural art. The cultural art is common language among human
beings which overcomes nationality or lineage. In this novel,
characters communicate with its readers through sympathy toward
cultural art, and this set-up therefore has its meaning. This also
distinguishes the novel from other similar literal works which are
mainly based on more rational ideas such as argumentation and
accusation.
The third, characteristic is a subjective consciousness awakened
through daily life. A theme of this novel is discrimination against
Korean-Japanese and how to deal with it. This theme itself is not
original. However, this novel is original as it presents this theme
through daily life such as love relationship.
The novel GO has been adapted to two different cultural contents.
One is a movie directed by Yukisada Isao in 2001 and the other is a
manga by Yoshifumi Kondou in 2002. Even though both of them
adapted the same story, their achievement turned out to be totally
different.
The movie version of GO successfully delivered the characteristics
of its original novel. In particular, it keeps a balance between its
universality and subjective consciousness. Its use of close relationship
with cultural content is also appropriate. In order to emphasize these
characteristics of the original novel, this movie was made to have a
strong sense of teenager movie and this succeeded in gaining
favorable response from general public.
On the other hand, the manga version of the same novel was created
to have characteristics of school drama. This kind of manga is often a
love story between a scrappy boy and a model student. The manga
version of GO is no exception. However, this manga failed to deliver
the characteristics of the original novel as it attached too much to the
grammar of its genre such as rebel and confrontation. As a result, it
was unable to gain attention from readers.

참고자료

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