다큐멘터리 「코레 아일라」와 영화 「아일라」 비교 분석 (Comparative Analysis of the Documentary「Kore Ayla」 and the Film 「Ayla: The Daughter of War」)

서지정보

· 발행기관 : 한국이슬람학회
· 수록지 정보 : 한국이슬람학회논총 / 29권 / 3호 / 143 ~ 168페이지
· 저자명 : 이난아

초록

The documentary 「Kore Ayla」 and the film 「Ayla: The Daughter of War」 reproduce a story of a Turkish veteran Süleyman and that of Ayla who was orphaned by Korean War, taking them as their common theme. These are special works that visualize the developing process of photographs into a documentary and subsequent films. The film 「Ayla: The Daughter of War」 is based on the documentary 「Kore Ayla」, a documentary about humanism that transcends nationalities of Turkish veteran and an orphaned Korean girl. The two different genres take on different format, plot, and techniques. The biggest difference is that while「Kore Ayla」 focuses on the story of Süleyman and Ayla after the war as it is a special project for commemorating sixty years of Korean War, 「Ayla: The Daughter of Wa r」 focuses their story in the moment of Korean War. 「Kore Ayla」 mainly deals with the process of the characters’ separation and reunion after sixty years’ time, rather than how they were during the war. On the other hand「Ayla: The Daughter of War」 covers their story from the humanistic point of view. The plot is enriched with some fictional episodes which is the distinctive trait of a film. Also, there are various characters featuring around them. Both the documentary and the film records photographs and stories of Süleyman, who practiced the true love for humanity beyond race, nationality, and religion. Thus, 「Kore Ayla」 and 「Ayla: The Daughter of War」 are considered meaningful contents in that they offered a chance to deliver and share the impacts of Korean War on mankind with posterity.

영어초록

The documentary 「Kore Ayla」 and the film 「Ayla: The Daughter of War」 reproduce a story of a Turkish veteran Süleyman and that of Ayla who was orphaned by Korean War, taking them as their common theme. These are special works that visualize the developing process of photographs into a documentary and subsequent films. The film 「Ayla: The Daughter of War」 is based on the documentary 「Kore Ayla」, a documentary about humanism that transcends nationalities of Turkish veteran and an orphaned Korean girl. The two different genres take on different format, plot, and techniques. The biggest difference is that while「Kore Ayla」 focuses on the story of Süleyman and Ayla after the war as it is a special project for commemorating sixty years of Korean War, 「Ayla: The Daughter of Wa r」 focuses their story in the moment of Korean War. 「Kore Ayla」 mainly deals with the process of the characters’ separation and reunion after sixty years’ time, rather than how they were during the war. On the other hand「Ayla: The Daughter of War」 covers their story from the humanistic point of view. The plot is enriched with some fictional episodes which is the distinctive trait of a film. Also, there are various characters featuring around them. Both the documentary and the film records photographs and stories of Süleyman, who practiced the true love for humanity beyond race, nationality, and religion. Thus, 「Kore Ayla」 and 「Ayla: The Daughter of War」 are considered meaningful contents in that they offered a chance to deliver and share the impacts of Korean War on mankind with posterity.

참고자료

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